ISIDM Bibliography: Dance technology

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This is a bibliography-in-progress collecting references on Dance, Performance, Digital Art and Interactive Technologies. Efforts are being made to expand the international and transcultural scope of the bibliography. While dealing with dance and technology, it does not cover issues of computer dance notation.


Browse by author last name
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


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A

  • Ascott, Roy, "Art and Telematics", in Art Telecommunications, Heidi Grundmann, ed., The Western Front, Vancouver, Canada, 1984, pp. 25-58.
  • Ascott, Roy, Art & Telematics: Toward the Construction of New Aesthetics. NTT Publishing Co, 1998.
  • Ascott, Roy, ed., Reframing Consciousness: Art, Mind and Technology. Portland: Intellect Books, 1999.
  • Ascott. Roy, Telematic Embrace: Visionary Theories of Art, Technology and Consciousness. Edited and with an essay by Edward A. Shanken. Berkeley: Univ. of California, 2003.
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B

  • Barabási, Albert-László, Linked: The New Science of Networks. Cambridge, MA.: Perseus Publ. 2002.
  • Barfield, W., and S. Weghorst, "The sense of presence within virtual environment: A conceptual framework, "Proceedings of the International Conference on Human-computer Interaction, 5, 91993), pp. 699-704.
  • Baumgärtel, Tilman, ed., net.art 2.0. new materials towards net art. Nürnberg: Verlag für moderneKunst, 2001.
  • Biocca, F., and B. Delaney, "Immersive virtual reality technology, " in: F. Biocca & M. Levy, Eds., Communication in the age of virtual reality. Hillsdale, NJ: Lawrence Erlbaum and Associates, 1995, pp. 57-124.
  • Biocca, F., T. Kim, & M. Levy, . "The vision of virtual reality, " in: F. Biocca & M. Levy, eds., Communication in the age of virtual reality. Hillsdale, NJ: Lawrence Erlbaum Associates, Inc., 1995, pp. 3-14.
  • Biocca, F. (forthcoming).Presence of mind in virtual environments. Unpublished book manuscript: Media Interface and Network Design Lab, Michigan State University, East Lansing, MI.
  • Birringer, Johannes, ed., "Connected Dance: Distributed Performance across Time Zones, " hypertext essay with Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg, in Transmigratory Moves/Dance in Global Circulation. Congress On Research in Dance Conference Proceedings, New York University (October 2001), pp. 51-77.
  • Birringer, Johannes, "Dertransmediale Tanz, " in: Tanz Anders Wo: Tanz intra- und interkulturel l. Jahrbuch der Gesellschaft für Tanzforschung 2004, hg. Krassimira Kurschkova, Nele Lipp. Hamburg: LIT Verlag (forthcoming)
  • Birringer, Johannes, Media and Performance: along the border. Baltimore: Johns Hopkins, 1998.
  • Birringer, Johannes, "Spletna Okolja za Interaktivni Ples"/Networked Environments for Interactive Dance, "Maska 18, 68-78.
  • Birringer, Johannes, Klaus Behringer, Uschi Schmidt-Lenhard, eds., Wechselwirkung: Internationales Interaktionslabor. Saarbrücken: SDV, 2004.
  • Bolter, Jay David & Richard Grusin, Remediation: Understanding New Media. Cambridge: MIT Press, 1999.
  • Brandstetter, Gabriele & Hortensia Voelkers, eds., ReMembering the Body. Ostfildern: Cantz, 2000 (USA: D.A.P. New York).
  • Brickwood, C. et al, eds., New Media Culture in Europe. Amsterdam: DeBalle and the Virtual Platform, 1999.
  • Bromberg Ellen. and with Johannes Birringer, "ADaPT: Telepresent Artistic Collaborations, " Interdisciplinary Humanities 21: 1 (2004), 87-93.
  • Brouwer, Joke , and Arjen Mulder, Susan Charlton, eds. Information is Alive - Art and Theory on Archiving and Retrieving Data. Rotterdam : V2_Publishing/NAI Publishers, 2003.
  • Buck, Brian, with GrayMiller, AJ Niehaus and Apryl Seech: "ADAPT (The Association for Dance and PerformanceTelematics): Multiple definitions of distributed performance." Hawaii InternationalConference on Arts and Humanities January 2004. http://www.hichumanities.org/2003proceedings_hum.htm. (http://www.hichumanities.org/2003proceedings_hum.htm)
  • Buescher, M., J. O'Brien and J. Hughes, Interaction and Presence in Shared Electronic Environments (Fieldwork at ZKM). Lancaster University, 1998.
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C

  • Copier, Marina and Joost Raessens, eds., Level Up: Digital Games Research Conference. Utrecht: Diagra/University of Utrecht, 2003. http://www.gamesconference.org
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D

  • Dinkla, Söke, Pioniereinteraktiver Kunst. Ostfildern: Cantz Verlag, 1997.
  • Dinkla, Söke and Martina Leeker, eds., Dance and Technology/ Tanz und Technologie: Moving towards Media Productions - Auf dem Weg zu medialen Inszenierungen. Berlin: Alexander Verlag, 2003.
  • Domingues, Diana , ed., Arte no Séc. XXI: A Humanização das Tecnologias. São Paulo: Ed. da Unesp, 1997.
  • Dreyfus, Hubert L., Onthe Internet. London/New York: Routledge, 2001
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E

  • Evers, Frans, and Lucasvan der Velden, Jan Peter van der Wenden, eds. The Art of Programming (Sonic Acts 2001 conference on digital art). Amsterdam: Sonic Arts, 2002.
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F

  • Fadon, Carlos, "StillLife/Alive", in Connectivity: Art and Interactive Telecommunications, Roy Ascott and Carl Eugene Loeffler, eds., Leonardo, Vol. 24: 2, 1991.
  • Fassler, Manfred, Mediale Interaktion. München: Fink Verlag, 1996.
  • Fisher, S., "Virtual interface enviromments, " in: The Art of Computer Interface Design, Laurel, B., ed. Massachusetts, Addison Wesley, 1990.
  • Forest, F., "Communication Esthetics, Interactive Participation and Artistic Systems of Communication and Expression", in Designing the Immaterial Society, Design Issues specialissue, Marco Diani, ed., Vol. IV, Ns. 1 & 2, University of Illinois, Chicago, pp. 97-115.
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G

  • Gendolla, Peter, Norbert M. Schmitz, Irmela Schneider und Peter M. Spangenberg, eds. Formen interaktiver Medienkunst. Frankfurt: Suhrkamp, 2001
  • Gidney, E., "The Artist's use of telecommunications: a review", Leonardo, Vol. 16: 4, 1983, 311-315.
  • Glesner, Julia, "Web Dance: Konvergenzen zwischen Tanz und Internet?", in Tanz, Theorie, Text.Jahrbuch der Gesellschaft für Tanzforschung , ed. Christa Zipprich and GabrieleKlein. Hamburg: LIT Verlag, 2002, pp. 509-2.
  • Goldberg, Ken, ed., The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet. Cambridge, MA: MIT Press, 2000.
  • Grau, Oliver, "The history of telepresence: automata, illusion, and the rejection of the body", in: TheRobot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, ed. Ken Goldberg. Cambridge, MA.: The MIT Press: 1999, pp. 94-99.
  • Grau, Oliver, Virtual Art: From Illusion to Immersion. Cambridge: MIT Press, 2003.
  • Gray, J. ed. Dance Technology: Current Applications and Future Trends. National Dance Association, 1989.
  • Grzinic, Marina, ed., Stelarc: Political Prosthesis and Knowledge of the Body. Ljubljana: Maska/MKC, 2002.
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H

  • Hansen, Mark B.N., New Philosophy for New Media. Cambridge: MIT Press, 2004.
  • Held, R. M., and N. I.Durlach, "Telepresence, " Presence, 1: 1 (1992), 109-112.
  • Hünnekens, Annette, Derbewegte Betrachter. Theorien der Interaktiven Medienkunst. Köln: Wienand, 1997
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I

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J

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K

  • Kac, Eduardo, "Ornitorrinco: Exploring Telepresence and Remote Sensing", in Connectivity: Art and Interactive Telecommunications, Roy Ascott and Carl Eugene Loeffler, eds., Leonardo, Vol. 24: 2, 1991.
  • Kalawasky, R. S., The science of virtual reality and virtual environments. Wokingham: Addison-Wesley, 1993.
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L

  • LaBelle, Brandon and Christof Migone, eds., Writing Aloud: The Sonics of Language. Los Angeles: Errant Bodies Press, 2001.
  • Laurel, Brenda. Computers as Theatre. Reading, Mass.: Addison-Wesley, 1993.
  • Leeker, Martina, ed. Medien, Maschinen, Performances. Theater an der Schnittstelle zu digitalen Welten. with CD-ROM by Irina Kaldrack and Martina Leeker. Berlin: Alexander Verlag, 2001.
  • Levy, Pierre, Cyberculture: Rapport au Conseil de l'Europe dans le cadre du projet Nouvelles technologies: cooperation culturelle et communication. Paris: Editions Odile Jacob, 1997.
  • Liestøl, Gunna with Andrew Morrison, Terje Rasmussen, eds., Digital Media Revisited. Cambridge: MIT Press, 2003.
  • Lovink, Gert , DarkFibre: Tracking Critical Internet Culture. Cambridge MA: MIT Press, 2002.
  • Lovink, Gert, Uncanny Networks: Dialogues with the Virtual Intelligentsia. Cambridge, MA.: MITPress, 2002.
  • Lunenfeld, Peter, ed. The Digital Dialectic: New Essays on New Media. Cambridge, Mass: MIT Press, 1999.
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M

  • Mackenzie, Adrian, Transductions: Bodies and Machines at Speed. London: Continuum, 2002.
  • Mair, G., "Virtual performance", Global international (1996), 18-21.
  • Malloy, Judy, ed., Women, Art & Technology. Cambridge, MA.: MIT Press, 2003.
  • Manovich, Lev, The Language of New Media. Cambridge, MA.: MIT Press, 2001.
  • Matuck, Artur, "Tele-transmissãono contexto artístico", "Perspectivas da televisão interativa", "Telemáticae interatividade", "Crítica ao futuro iminente", in O potencial dialógicoda televisão - Comunicação e arte na perspectiva do receptor. São Paulo, Anna Blume e Eca-USP, 1996.
  • de Medeiros, Maria Beatriz, ed., Arte e tecnologia na cultura contemporânea. Brasilia: Universidadede Brasilia, 2002.
  • Menicacci Armando & Emanule Quinz, eds., La scena digital: Nuovi media per la danza. Bolzano: Marsilio, 2001.
  • Mitchell. Robert and Thurtle, Phillip, Data made Flesh: Embodying Information. New York: Routledge, 2004.
  • Moser, Mary Anne, with Douglas MacLeod, eds., Immersed in Technology: Art and Virtual Environments. Cambridge: MIT Press, 1996.
  • Murray, Timothy , "Digital Incompossibility: The Aesthetics of Interactivity, " distributed on disk in theform of an electronic catalogue to participants of "La Sensibilitat multimedia: il journades sobre ar I multimedia, " October 1998, Fundacio "la Caixa, " Barcelona.
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N

  • Naugle, Lisa, "DistributedChoreography in a Video-Conference Environment". Performance Art Journal, 71 (2002), 56-61.
  • Naugle, Lisa, "A Studyof On-line Collaborative Choreography Using Life Forms and Internet Communication", Ph.D. Dissertation. New York University, Department of Music and Performing Arts Professions, Dance Education Program, 2002.
  • Naugle, Lisa and Gitleman, Claudia. "Reconstructing a Late Work of Hanya Holm: Stage Success and ElectronicHeartache", Proceedings of the Society of Dance History Scholars, (1999): 63-67.
  • Naugle, Lisa, "The CassandraProject: In the Mediascape of the Internet ". Proceedings of the 31st AnnualConference Congress on Research in Dance. (1998): 101-108.
  • Naugle, Lisa, "DigitalDancing" IEEE Multimedia, Vol. 5. No. 4. IEEE Computer Society October-December, 1998.
  • Naugle, Lisa, "InternetPerformance: Reflections on Dancing in Cyberspace". Proceedings of the MultimediaTechnology and Applications Conference. (1998). P. 14-18.
  • Naugle, Lisa. and Garland, Iris. "A University Dance Course in Cyberspace: The Telelearning Experience", Journal of Distance Education, Vol. XII, No. 1/2 (1997).
  • Naugle, Lisa, "Probing the Barriers to Dance and Other Worlds: Separation and Connection through Internet2", October, 2003, Toronto, Canada. Association for Internet Researchers. Panelpresentation with Johannes Birringer and Susan Kozel. Also see http://www.ecommons.net/aoir/aoir2003/index.php?n=198 (http://www.ecommons.net/aoir/aoir2003/)
  • Newman, James. Videogames. London: Routledge, 2004.
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O

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P

  • Paraguai Donati, Luisaand Gilberto Prado, "Artistic Environments of Telepresence on the World WideWeb, " Leonardo 34: 5 (2001), 437-442.
  • Pimentel, K. and K. Teixeira, The science of virtual reality: through the new looking glass. London: McGraw-Hill, 1993.
  • Popat, Sita and Jacqueline Smith-Autard, "Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant?" Leonardo 35: 1 (2002), 31-36.
  • Prado, Gilbertto, "Cronologiasde experiências artísticas nas redes de telecomunicações", Trilhas, Campinas, SP, Unicamp, 1997, pp. 77-103.
  • Preece, Jennifer, Yvonne Rogers, Helen Sharp, Interaction Design: Beyond Human-Computer Interaction. Hoboken, NJ.: John Wiley & Sons, Inc. , 2002.
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Q

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R

  • Rieser, Martin / Zapp, Andrea, eds., New Screen Media/Cinema/Art/Narrative. London: BFI, 2002.
  • Rondon, Yara Guasque Araujo, "TELE-EVENTO-PENSAMENTO: a imagem mediada na videoconferência e na telepresença."
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S

  • Saltz, David Z., "The Collaborative Subject: Telerobotic Performance and Identity, " PerformanceResearch 6: 3 (2001), 70-83.
  • Santana, Ivani, Corpo Aberto: Cunningham, dança e novas tecnologias. São Paulo: EDUC/FAPESC, 2002.
  • Scholder, Amy & Jordan Crandall, eds., Interaction: Artistic Practice in the Network. New York: D.A.P., 2001.
  • Slater, M., M. Usoh, , and A. Steed, "Depth of presence in virtual environment, " Presence, 3: 2(1994), 130-144.
  • Sundén, Jenny, Material Virtualities: Approaching Online Textual Embodiment. New York: Peter Lang, 2003.
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T

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U

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V

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W

  • Wardrip-Fruin, Noah and Nick Montfort, eds., The New Media Reader.Cambridge, MA.: MIT Press, 2003.
  • Whitelaw, Mitchell, Metacreation: Art and Artificial Life. Cambridge: MIT Press, 2004.
  • Wilson, Stephen, Information Arts: A Survey of Art and Research at the Intersection of Art, Science, and Technology. Cambridge, MA.: MIT Press, 2002
  • Wood, John , ed., The Virtual Embodied: Presence, Practice, Technology. London: Routledge, 1998.
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X

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Y

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Z


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