ISIDM Bibliography: Mapping

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A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z

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A

• Arfib, D., J. M. Couturier, L. Kessous, and V. Verfaille. 2002. "Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces." Organised Sound, 7(2):127-144.

B

• Bowler, I., A. Purvis, P. Manning, and N. Bailey. 1990. "On Mapping N Articulation onto M Synthesiser-Control Parameters." In Proceedings of the 1990 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 181-184.

• Burtner, M. 2002. "The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument." Organised Sound, 7(2):201-213.

C

• Chadabe J. 2002. "The Limitations of Mapping as a Structural Descriptive in Electronic Instruments. (http://www.mle.ie/nime/Proceedings/paper/chadabe_keynote.pdf)" In Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02.

• Choi, I., R. Bargar, and C. Goudeseune. 1995. "A Manifold Interface for a High Dimensional Control Space (http://zx81.isl.uiuc.edu/camilleg/icmc95.pdf)." In Proceedings of the 1995 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 385-392.

• Choi, I. 2000. "A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems." In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. (http://www.cdemusic.org/store/cde_search.cfm?keywords=mb186) Ircam - Centre Pompidou.

D

• Doornbusch, P. 2002. "Composers' Views on Mapping in Algorithmic Composition." Organised Sound, 7(2):145-156.

E

F

• Favilla, S. 1996. "Non-Linear Controller Mapping for Gestural Control of the Gamaka. (http://home.mira.net/~favilla/hong_kong.htm)" In Proceedings of the 1996 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 89-92.

• Favilla, S. 1997. "Real-time Control of Synthesis Parameters for LightHarp MIDI Controller. (http://home.mira.net/~favilla/modes.htm)" In Proceedings of the 1997 ACMA Conference. Auckland, New Zealand.

• Fels, S. 1994. Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces. (ftp://ftp.cs.toronto.edu/pub/ssfels/phdthesis.short.ps.Z) PhD Thesis, University of Toronto, Canada.

• Fels, S., A. Gadd, and A. Mulder. 2002. "Mapping Transparency through Metaphor: towards more expressive musical instruments." Organised Sound, 7(2):109-126.

G

• Garnett, G., and C. Goudeseune. 1999. "Performance Factors in Control of High-Dimensional Spaces (http://zx81.isl.uiuc.edu/camilleg/icmc99.html)."  In Proceedings of the 1999 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 268 - 271.

• Goudeseune, C. 2001.Composing with Parameters for Synthetic Instruments. (http://zx81.isl.uiuc.edu/camilleg/dissertation/) PhD Thesis, University of Illinois at Urbana-Champaign.

• Goudeseune, C. 2002. "Interpolated Mappings for Musical Instruments." Organised Sound, 7(2):85-96.

H

• Hunt, A. 1999. Radical User Interfaces for Real-time Musical Control. (http://www-users.york.ac.uk/~elec18/download/adh_thesis/)DPhil thesis, University of York UK.

• Hunt, A., and R. Kirk. 2000. "Mapping Strategies for Musical Performance." In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. (http://www.cdemusic.org/store/cde_search.cfm?keywords=mb186) Ircam - Centre Pompidou.

• Hunt, A., M. Wanderley, and R. Kirk. 2000. "Towards a Model for Instrumental Mapping in Expert Musical Interaction. (http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/Hunt_Towards.pdf)" In Proceedings of the 2000 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 209 - 212.

• Hunt, A., and M. M. Wanderley. 2002. "Mapping Performer Parameters to Synthesis Engines." Organised Sound, 7(2):97-108.

• Hunt, A., M. Wanderley, and M. Paradis. 2002. "The Importance of Parameter Mapping in Electronic Instrument Design. (http://www.mle.ie/nime/Proceedings/paper/hunt.pdf)" In Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02, pp. 149-154. Extended version published in: Journal of New Music Research, 32(4):429-442, December, 2003.

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J

K

• Kieslinger, M., and T. Ungvary. 1997. "Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment." In Chow, ed. Multimedia Technology and Applications. Singapore: Springer-Publications.

• Kramer, G. 1996. "Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design. (http://www.santafe.edu/~icad/ICAD96/proc96/kramer.htm)". In Proceedings of International Conference on Auditory Display - ICAD'96.

L

• Lee, M., A. Freed, and D. Wessel. 1991. "Real-Time Neural Network Processing of Gestural and Acoustic Signals." In Proceedings of the 1991 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 277-280.

• Lee, M., and D. Wessel. 1992. "Connectionist Models for Real-Time Control of  Synthesis and Compositional Algorithms." In Proceedings of the 1992 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 277-280.

• Levitin, D., S. McAdams, and R. Adams. 2002. "Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound." Organised Sound, 7(2):171-189.

M

• Marrin, T. A. 1996."Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton. (http://brainop.media.mit.edu/Archive/Thesis.html)"Master's thesis. Massachusetts Institute of Technology.

• Marrin-Nakra, T. 2000.Inside the Conductor's Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gestures. (http://www.media.mit.edu/~marrin/HTMLThesis/Dissertation.htm)PhD Thesis. MIT Media Lab.

• Metois, E. 1996. Musical Sound Information: Musical Gestures and Embedding Systems. (http://xenia.media.mit.edu/~metois/Phd/dissert/Thesis0.html) PhD Thesis. MIT Media Lab.

• Modler, P., and I. Emotion. Proceedings Zannos. 1997. "Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices." In Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa:Associazione di Informatica Musicale Italiana, October 3-4, pp. 79-86.

• Modler, P. 1998. "Interactive Control of Musical Structures by Hand Gestures." In Proceedings of the Fifth Brazilian Symposium on Computer Music, pp. 143-150.

• Modler, P. 2000. "Neural Networks for Mapping Gestures to Sound Synthesis." In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. (http://www.cdemusic.org/store/cde_search.cfm?keywords=mb186) Ircam - Centre Pompidou.

• Mulder, A., S. Fels, and K Mase. 1997. "Empty-Handed Gesture Analysis in Max/FTS. (http://www.cs.sfu.ca/people/ResearchStaff/amulder/personal/vmi/kansei/)" In Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa:Associazione di Informatica Musicale Italiana, October 3-4, pp. 87-91.

• Mulder, A., S. Fels, and K Mase, 1997. "Mapping Virtual Object Manipulation to Sound Variation. (http://www.cs.sfu.ca/~amulder/personal/vmi/ss/sigmus97-p.pdf)" In T. Rai and R. Basset, eds. IPSJSIG notes 97(122):63-68.

• Mulder, A. 1998. Design of Virtual Three-Dimensional Instruments for Sound Control. (http://www.cs.sfu.ca/~amulder/personal/vmi/AM98-thesis.pdf) PhD. thesis. Burnaby, BC, Canada: Simon Fraser University.

• Myatt, T. 2002. "Strategies for Interaction in Construction 3." Organised Sound, 7(2):157-169.

N

• Ng, K. 2002. "Sensing and Mapping for Interactive Performance." Organised Sound, 7(2):191-200.

• Nichols, C. 2002. "The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback." Organised Sound, 7(2):215-220.

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P

Q

R

• Rovan, J., M. Wanderley, S. Dubnov, and P. Depalle. 1997. "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance. (http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/kansei_final.pdf)" In Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa: Associazionedi Informatica Musicale Italiana, October 3-4, 1997, pp. 68-73.

• Rovan, J., and Wechsler, R. 2000. "The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of "Seine Hohle Form… (http://www.systemhaus-weiss.de/mapping.htm)" In Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000. Paris.

• Ryan, J. 1991. "Some Remarks on Musical Instrument Design at STEIM. (http://foobar.starlab.net/~ozan/steim_review_article.html)" Contemporary Music Review 6(1):3-17.

S

• Schloss, W. A. 1990. "Recent Advances in the Coupling of the Language MAX with the Mathews/Boie Radio Drum." In Proceedings of the 1990 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 398-400.

T

U

• Ungvary, T., and Kieslinger, M. 1998. "Creative and Interpretative Process milieu for Live-Computer music with the Sentograph." In Kopiez und Auhagen, eds. Controlling Creative Processes in Music. Schriften Musikpsychologie und Musikästhetik 12. Peter Lang Verlag, pp. 173-227.

V

• Vertegaal, R., and Bonis, E.. 1994. "ISEE: An Intuitive Sound Editing Environment." Computer Music Journal 18(2): 21-29.

W

• Wanderley, M., N. Schnell and J. B. Rovan. 1998. "Escher- Modeling and Performing Composed Instruments in Real-Time. (http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/SMC_FINN.pdf) In Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics(SMC'98), pp. 1080-1084.

• Wanderley, M. 2001.Performer-Instrument Interaction: Applications to Gestural Control of Music. (http://www.ircam.fr/wanderle/Thesis/Thesis_comp.pdf) PhD Thesis. Paris, France: University Pierre et Marie Curie - Paris VI.

• Wanderley, M. 2002. "Mapping Strategies in Interactive Computer Music." Organised Sound, 7(2):83-84.

• Wessel, D. 1979. "Timbre Space as a Musical Control Structure." Computer Music Journal 3(2):45-52.

• Winkler, T. 1995. "Making Motion Musical: Gestural Mapping Strategies for Interactive Computer Music (http://www.brown.edu/Departments/Music/musicold/New/faculty/toddpapers/icmc_1995.txt)."In Proceedings of the 1995 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 261-264.

• Wright, M., A. Freed, A. Lee, T. Madden, and A. Momeni. 2001. "Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC." In Proceedings of the 2001 International Computer Music Conference. San Francisco, International Computer Music Association.

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