======Mapping:Bibliography======

===== A =====
  * Arfib, D., J. M. Couturier, L. Kessous, and V. Verfaille. 2002. "Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces." //Organised Sound//, 7(2):127-144.

===== B =====
  * Bencina, R. 2005. "The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many Mapping." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Bencina, R., Wilde, D. and Langley, S. 2008. "Gesture ≈ Sound Experiments: Process and Mappings." In //Proceedings of the 2008 International Conference on New Interfaces for Musical Expression - NIME08.//
  * Bevilacqua, F., Muller, R. and Schnell, N. 2005. "MnM: a Max/MSP mapping toolbox." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Bottoni, P., Faralli, S., Labella, A., Pierro, M. 2006. "Mapping with planning agents in the Max/MSP environment: the GO/Max language." In //Proceedings of the 2006 International Conference on New Interfaces for Musical Expression - NIME06.//
  * Bowler, I., A. Purvis, P. Manning, and N. Bailey. 1990. "On Mapping N Articulation onto M Synthesiser-Control Parameters." In //Proceedings of the 1990 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 181-184.
  * Burtner, M. 2002. "The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument." //Organised Sound//, 7(2):201-213.

===== C =====
  * Cannon, J. and Favilla, S. 2010. "Expression and Spatial Motion: Playable Ambisonics." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//
  * Chadabe J. 2002. "The Limitations of Mapping as a Structural Descriptive in Electronic Instruments." In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//.
  * Choi, I., R. Bargar, and C. Goudeseune. 1995. "A Manifold Interface for a High Dimensional Control Space." In //Proceedings of the 1995 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 385-392.
  * Choi, I. 2000. "A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems." In M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music.// Ircam - Centre Pompidou.
  * Collins, N. 2010. "Contrary Motion: An Oppositional Interactive Music System." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//
  * Cont, A., Coduys, T., and Henry, C. 2004. "Real-time Gesture Mapping in Pd Environment using Neural Networks." In //Proceedings of the 2004 International Conference on New Interfaces for Musical Expression - NIME04.//
  * Couturier, J., Arfib, D. 2003. "Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music." In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03.//
  * Crevoisier, A. and Polotti, P. 2005. "Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//

===== D =====
  * Dahlstedt, P. 2008. "Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation." In //Proceedings of the 2008 Computer Music Modeling and Retrieval conference - CMMR08.//
  * da Silva, A., Wanderley, M. and Scavone, G. 2005. "On the Use of Flute Air Jet as A Musical Control Variable." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Deleflie, E. and Schiemer, G. 2010. "Images as Spatial Sound Maps." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//
  * Dobrian, C., Bevilacqua, F. 2003. "Gestural Control of Music Using the Vicon 8 Motion Capture System."  In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03.//
  * Doornbusch, P. 2002. "Composers' Views on Mapping in Algorithmic Composition." //Organised Sound//, 7(2):145-156.

===== E =====

===== F =====
  * Favilla, S. 1996. "Non-Linear Controller Mapping for Gestural Control of the Gamaka." In //Proceedings of the 1996 International Computer Music Conference. San Francisco, International Computer Music Association, // pp. 89-92.
  * Favilla, S. 1997. "Real-time Control of Synthesis Parameters for LightHarp MIDI Controller." In //Proceedings of the 1997 ACMA Conference.// Auckland, New Zealand.
  * Fels, S. 1994. //Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces.// PhD Thesis, University of Toronto, Canada.
  * Fels, S., A. Gadd, and A. Mulder. 2002. "Mapping Transparency through Metaphor: towards more expressive musical instruments." //Organised Sound//, 7(2):109-126.
  * Fyfe, L., Lynch, S., Hull, C. and Carpendale, S. 2010. "SurfaceMusic: Mapping Virtual Touch-based Instruments to Physical Models." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//

===== G =====
  * Garnett, G., and C. Goudeseune. 1999. "Performance Factors in Control of High-Dimensional Spaces."  In //Proceedings of the 1999 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 268 - 271.
  * Goto, S., and Suzuki, T. 2004. "The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit"." In //Proceedings of the 2004 International Conference on New Interfaces for Musical Expression - NIME04.//
  * Goudeseune, C. 2001.//Composing with Parameters for Synthetic Instruments.// PhD Thesis, University of Illinois at Urbana-Champaign.
  * Goudeseune, C. 2002. "Interpolated Mappings for Musical Instruments." //Organised Sound//, 7(2):85-96.

===== H =====
  * Hansen, K. F., Bresin, R. 2006. "Mapping strategies in DJ scratching." In //Proceedings of the 2006 International Conference on New Interfaces for Musical Expression - NIME06.//
  * Hoskinson, R., van den Doel, K., Fels, S. 2003. "Real-time Adaptive Control of Modal Synthesis."  In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03.//
  * Hunt, A. 1999. //Radical User Interfaces for Real-time Musical Control.//DPhil thesis, University of York UK.
  * Hunt, A., and R. Kirk. 2000. "Mapping Strategies for Musical Performance." In M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music.// Ircam - Centre Pompidou.
  * Hunt, A., M. Wanderley, and R. Kirk. 2000. "Towards a Model for Instrumental Mapping in Expert Musical Interaction." In //Proceedings of the 2000 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 209 - 212.
  * Hunt, A., and M. M. Wanderley. 2002. "Mapping Performer Parameters to Synthesis Engines." //Organised Sound//, 7(2):97-108.
  * Hunt, A., M. Wanderley, and M. Paradis. 2002. "The Importance of Parameter Mapping in Electronic Instrument Design." In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 149-154. Extended version published in: //Journal of New Music Research//, 32(4):429-442, December, 2003.

===== I =====

===== J =====

===== K =====
  * Kessous, L., Arfib, D. 2003. "Bimanuality in Alternate Musical Instruments." In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03.//
  * Kieslinger, M., and T. Ungvary. 1997. "Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment." In Chow, ed. //Multimedia Technology and Applications.// Singapore: Springer-Publications.
  * Kramer, G. 1996. "Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design.". In //Proceedings of International Conference on Auditory Display - ICAD'96.//

===== L =====
  * Lee, M., A. Freed, and D. Wessel. 1991. "Real-Time Neural Network Processing of Gestural and Acoustic Signals." In //Proceedings of the 1991 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 277-280.
  * Lee, M., and D. Wessel. 1992. "Connectionist Models for Real-Time Control of  Synthesis and Compositional Algorithms." In //Proceedings of the 1992 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 277-280.
  * Levitin, D., S. McAdams, and R. Adams. 2002. "Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound." //Organised Sound//, 7(2):171-189.

===== M =====
  * Mandelis, J. and Husbands, P. 2004. "Don't Just Play it, Grow it!: Breeding Sound Synthesis and Performance Mappings." In //Proceedings of the 2004 International Conference on New Interfaces for Musical Expression - NIME04.//
  * Marrin, T. A. 1996. "Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton."//Master's thesis//. Massachusetts Institute of Technology.
  * Marrin-Nakra, T. 2000. //Inside the Conductor's Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gestures.//PhD Thesis. MIT Media Lab.
  * McGlynn, P. 2011. "Towards for Effective Mapping Strategies for Digital Musical Instruments." In //Proceedings from the 2011 Linux Audio Conference - LAC11.//
  * Metois, E. 1996. //Musical Sound Information: Musical Gestures and Embedding Systems.// PhD Thesis. MIT Media Lab.
  * Modler, P., and I. Emotion. Proceedings Zannos. 1997. "Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices." In //Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, // A. Camurri, ed. Genoa:Associazione di Informatica Musicale Italiana, October 3-4, pp. 79-86.
  * Modler, P. 1998. "Interactive Control of Musical Structures by Hand Gestures." In //Proceedings of the Fifth Brazilian Symposium on Computer Music, // pp. 143-150.
  * Modler, P. 2000. "Neural Networks for Mapping Gestures to Sound Synthesis." In M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music.// Ircam - Centre Pompidou.
  * Modler, P., Myatt, T., Saup, M. 2003. "An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime." In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03.//
  * Mulder, A., S. Fels, and K Mase. 1997. "Empty-Handed Gesture Analysis in Max/FTS." In Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa:Associazione di Informatica Musicale Italiana, October 3-4, pp. 87-91.
  * Mulder, A., S. Fels, and K Mase, 1997. "Mapping Virtual Object Manipulation to Sound Variation." In T. Rai and R. Basset, eds. //IPSJSIG notes// 97(122):63-68.
  * Mulder, A. 1998. //Design of Virtual Three-Dimensional Instruments for Sound Control.// PhD. thesis. Burnaby, BC, Canada: Simon Fraser University.
  * Myatt, T. 2002. "Strategies for Interaction in Construction 3." //Organised Sound//, 7(2):157-169.

===== N =====
  * Ng, K. 2002. "Sensing and Mapping for Interactive Performance." //Organised Sound//, 7(2):191-200.
  * Nichols, C. 2002. "The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback." //Organised Sound//, 7(2):215-220.

===== O =====

===== P =====
  * Paine, G., Stevenson, I., Pearce, A. 2007. "The Thummer Mapping Project (ThuMP)."  In //Proceedings of the 2007 International Conference on New Interfaces for Musical Expression - NIME07.//
  * Pelletier, J. 2005. "A Graphical Interface for Intuitive Signal Routing." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Pendharkar, C., Gurevich, M., Wyse, L. 2006. "Parameterized Morphing as a Mapping Technique for Sound Synthesis." In //Proceedings of the 9<sup>th</sup> International Conference on Digital Audio Effects - DAFx-06.//
  * Price, R. and Rebelo, P. 2008. "Database and mapping design for audiovisual prepared radio set installation." In //Proceedings of the 2008 International Conference on New Interfaces for Musical Expression - NIME08.//

===== Q =====

===== R =====
  * Rovan, J., M. Wanderley, S. Dubnov, and P. Depalle. 1997. "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance." In //Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, //A. Camurri, ed. Genoa: Associazionedi Informatica Musicale Italiana, October 3-4, 1997, pp. 68-73.
  * Rovan, J., and Wechsler, R. 2000. "The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of "Seine Hohle Form…" In //Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000.// Paris.
  * Ryan, J. 1991. "Some Remarks on Musical Instrument Design at STEIM." //Contemporary Music Review// 6(1):3-17.

===== S =====
  * Scavone, G. and da Silva, A. 2005. "Frequency Content of Breath Pressure and Implications for Use in Control." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Schacher, J. C. 2010. "Motion to Gesture To Sound: Mapping for Interactive Dance." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//
  * Schlei, K. 2010. "Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad Interface." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//
  * Schloss, W. A. 1990. "Recent Advances in the Coupling of the Language MAX with the Mathews/Boie Radio Drum." In //Proceedings of the 1990 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 398-400.
  * Schmeder, A. 2004. "Mapping Spectral Frames to Pitch with Support Vector Machine." In //Proceedings from the 2004 International Computer Music Conference - ICMC04.//
  * Sinnott, Laura. 2008. //Mapping Strategies for the Augmented Tango Shoe.// MM Thesis, New York University, USA.
  * Steiner, H. 2006. "Towards a catalog and software library of mapping methods." In //Proceedings of the 2006 International Conference on New Interfaces for Musical Expression - NIME06.//

===== T =====

===== U =====
  * Ungvary, T., and Kieslinger, M. 1998. "Creative and Interpretative Process milieu for Live-Computer music with the Sentograph." In Kopiez und Auhagen, eds. //Controlling Creative Processes in Music.// Schriften Musikpsychologie und Musikästhetik 12. Peter Lang Verlag, pp. 173-227.

===== V =====
  * Van Nort, D., Wanderley, M., and Depalle, P. 2004. "On the Choice of Mappings Based On Geometric Properties."  In //Proceedings of the 2004 International Conference on New Interfaces for Musical Expression - NIME04.//
  * Vertegaal, R., and Bonis, E.. 1994. "ISEE: An Intuitive Sound Editing Environment." //Computer Music Journal// 18(2): 21-29.

===== W =====
  * Wanderley, M., N. Schnell and J. B. Rovan. 1998. "Escher- Modeling and Performing Composed Instruments in Real-Time. In //Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics(SMC'98), // pp. 1080-1084.
  * Wanderley, M. 2001. //Performer-Instrument Interaction: Applications to Gestural Control of Music.// PhD Thesis. Paris, France: University Pierre et Marie Curie - Paris VI.
  * Wanderley, M. 2002. "Mapping Strategies in Interactive Computer Music." //Organised Sound//, 7(2):83-84.
  * Wang, G., Misra, A., Kapur, A., Cook, P. 2005. "Yeah, ChucK It! => Dynamic, Controllable Interface Mapping." In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression - NIME05.//
  * Wessel, D., Wright, M., Schott, J. 2002. "Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors." In //Proceedings of the 2002 Conference on New Instruments for Musical Expression - NIME02.//
  * Wessel, D. 1979. "Timbre Space as a Musical Control Structure." //Computer Music Journal //3(2):45-52.
  * Winkler, T. 1995. "Making Motion Musical: Gestural Mapping Strategies for Interactive Computer Music."In //Proceedings of the 1995 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 261-264.
  * Wright, M., A. Freed, A. Lee, T. Madden, and A. Momeni. 2001. "Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC." In //Proceedings of the 2001 International Computer Music Conference.// San Francisco, International Computer Music Association.
  * Wyse, L. and Duy, N. D. 2010. "Instrumentalizing Synthesis Models." In //Proceedings of the 2010 International Conference on New Interfaces for Musical Expression - NIME10.//

===== X =====

===== Y =====

===== Z =====