======Sensors & Actuators: Bibliography======

===== A =====
  * Allison, J.T. and Place, T.A. 2005. Teabox: A sensor data interface system. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME05), pp. 56-59//.

===== B =====
  * Barenca, A., and G. Torre. The Manipuller: Strings Manipulation and Multi- Dimensional Force Sensing. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME09), pp. 232-235//.  
  * Berdahl, E., G. Niemeyer, and J. O. Smith III. Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME09), pp. 177-182//.
  * Birnbaum, D. 2007. Musical vibrotactile feedback. //Master thesis in Music Technology. McGill University//.
  * Bongers, B. 1998. Tactual display of sound properties in electronic musical instruments. //Displays, Volume 18, Issue 3, Pages 129-133//.
  * Bongers, B. 2000. Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance. In M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music//. Ircam - Centre Pompidou.
  * Brum Medeiros, C. and Wanderley M.M. 2011. Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. //Proceedings of the Sound and Music Computing Conference (SMC-2011)//.
  * Burdea, G. 1996. //Force and Touch Feedback for Virtual Reality//. John Wiley and Sons.
  * Burdea, G. and P. Coiffet. 2003. //Virtual Reality Technology//. 2nd edition. John Wiley and Sons.

===== C =====
  * Carr, J. J. 1993. //Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control//. Upper Saddle River, USA: Prentice-Hall.
  * Carr, J. J. 1997. //Electronic Circuit Guidebook. Volume 1: Sensors//. Indianapolis, USA: Prompt Publications – Howard W. Sams & Company.
  * Chu, L. L. 1996. Haptic Feedback in Computer Music Performance. //Proceedings of the 1996 International Computer Music Conference (ICMC-96)//.
  * Ciglar, M. An ultrasound based instrument generating audible and tactile sound. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), p. 19-22//.

===== D =====
  * Dunn, P. F. 2010. //Measurement and Data Analysis for Engineering and Science//. CRC Press, Taylor & Francis Group.
  * Davidson, P.W. Haptic Perception. //Journal of Pediatric Psychology, Volume 1, Issue 3, pages 21-25.//

===== E =====

  * Gallin, E., and Sirguy, M. Eobody3: a ready-to-use pre-mapped & multi-protocol sensor interface. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11), pp. 437-440.//

  * Essl, G., M Rohs, and S. Kratz. Use the Force (or something) - Pressure and Pressure- Like Input for Mobile Music Performance. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), pp. 182-185.//

  * Essl, G., M. Rohs, and S. Kratz. The Helio: A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), pp. 459-462.//

===== F =====
  * Fletcher, R. 1996. Force Transduction Materials for Human-Technology Interfaces. //IBM Systems Journal//, 35(3&4):630-638.
  * Fléty, E. 2000. 3D Gesture Acquisition Using Ultrasonic Sensors. //In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music//. Paris: IRCAM – Centre Pompidou, pp. 193-207.
  * Fraden, J. 2004. //Handbook of Modern Sensors. Physics, Design and Applications//. 3rd Edition. London: Springer-Verlag.
  * Freed, A., and O. Isvan. Musical Applications of New, Multi-axis Guitar String Sensors. //Proceedings of the 2000 International Computer Music Conference (ICMC-2000)//.
  * Freed, A. Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME08)//.


===== G =====
  * Garrett, P. H. 1994. //Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering//. Los Alamitos, USA: IEEE Press.
  * Giordano, M. and Wanderley, M.M. 2011. A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. //Proceedings of the Sound and Music Computing Conference (SMC-2011)//.
  * Großhauser, T., Großekathofer, U., and Hermann, T. New Sensors and Pattern Recognition Techniques for String Instruments. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).//
  * Grumwald, M. "Human Haptic Perception: Basics and Applications." Birkhauser (Basel).
  * Gunther, E. , Davenport, G. and O'Modhrain, S. 2002. Cutaneous grooves: composing for the sense of touch. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06)//.

===== H =====
  * Hayes, L. Vibrotactile Feedback-Assisted Performance. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).// 
  * Hayward, V. and MacLean, K.E. 2007. Do it yourself haptics: Part I. //IEEE Robotics & Automation Magazine//.
  * Hayward, V. and MacLean, K.E. 2008. Do it yourself haptics: Part II [Tutorial]. //IEEE Robotics & Automation Magazine//.
  * Hurbain. P.  2004.  [[http://www.acroname.com/robotics/info/articles/sharp/sharp.html|Demystifying the Sharp IR Ranger]], //Acroname Articles Online//,

===== I =====

  * Isaacs, D. 2003. Evaluating input devices for musical expression. //Bachelor's thesis in Information Technology, University of
Queensland//.

===== J =====

  * Janocha H., 2004. //Actuators: basics and applications//. Springer

===== K =====

===== L =====

===== M =====
  * Marshall, M. T. and Wanderley, M. M. 2006. Evaluation of Sensors as Input Devices for Computer Music Interfaces. //Chapter in Computer Music Modeling and Retrieval (Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad, eds.), Springer Berlin / Heidelberg, vol. 3902, pp. 130-139//.
  * Marshall, M. T. and Wanderley, M. M. 2006. Vibrotactile Feedback In Digital Musical Instruments. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06), pp. 226-229//.
  * Marshall, M. T. 2008. Physical Interface Design for Digital Musical Instruments. //PhD thesis in Music Technology, McGill University//.
  * Marshall, M. T. , Hartshorn, M. , Wanderley, M. M. and Levitin D. J. 2009. Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. //Journal of New Music Research, Vol. 38, No. 3, pp. 241–253//.
  * Miranda E.R. and Wanderley M. M., 2006. //New digital musical instruments: control and interaction beyond the keyboard//. A-R Editions Inc.
  * Murphy, J., A. Kapur, and C. Burgin. Use the Force (or something) - Pressure and Pressure- Like Input for Mobile Music Performance. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).//

===== N =====
  * Nyce, D. S. 2004. //Linear Position Sensors: Theory and Application//. Hoboken, USA: John Wiley and Sons.

===== O =====
  * O'Sullivan, D. and Igoe T. 2004. //Physical computing: sensing and controlling the physical world with computers//. Thomson Course Technology, Boston.


===== P =====
  * Palacio-Quintin, C. 2003. The Hyper-Flute. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06)//.
  * Pallàs-Areny, R. and J. G. Webster. 2001. //Sensors and Signal Conditioning//, 2nd Edition. New York, USA: Wiley Interscience.
  * Paradiso, J. and N. Gershenfeld. 1997. “Musical Applications of Electric Field Sensing”. //Computer Music Journal//, 21(2):69-89.
  * Paradiso, J. 1997. [[http://scholar.google.com/scholar?q=paradiso+Electronic+Music%3A+New+ways+to+play|Electronic Music: New Ways to play]]. //IEEE Spectrum, 34(12): 18-30//.

===== Q =====

===== R =====
  * Roh, J., Y. Mann, A. Freed, and D. Wessel. Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).//

===== S =====
  * Sawada, H., N. Onoe, and S. Hashimoto. 1996. Acceleration Sensor as an Input Device for Musical Environment. //Proceedings of the 1996 International Computer Music Conference (ICMC96)//, Hong Kong, pp. 421-424.
  * Smallwood, S. Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11)//.
  * Smith, R. L. 1993. Sensors. In R. C. Dorf (Ed.), //The Electrical Engineering Handbook//. London, UK: CRC Press.
  * Snell, J. 1983. Sensors for Playing Computer Music with Expression. //Proceedings of the 1983 International Computer Music Conference (ICMC83)//, Rochester, USA, pp. 113-126.

===== T =====
  * Tanaka, A. Musical performance practice on sensor-based instruments. 2000. //In M. Wanderley and M. Battier, eds.  //Trends in Gestural Control of Music//. Paris: IRCAM – Centre Pompidou//.
  * Todoroff, T. Wireless Digital/Analog Sensors for Music and Dance Performances. //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).//

===== U =====

===== V =====
  * Vecchi, F., C. Freschi, S. Micera, A. M. Sabatini, P. Dario, and R. Sacchetti. 2000. “Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control”. //Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society//, Aalborg, Danemark.
  * Vertegaal, R. , Ungvary, T. and Kieslinger, M. 1996. Towards a Musician's Cockpit: Transducers, Feedback and Musical Function. //Proceedings of the 1996 International Computer Music Conference (ICMC-96)//.
  * Verplaetse, C. 1996. “Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools”. //IBM Systems Journal//, 35(3&4):639-650.
  * Vlasic, D., Adelsberger, R., Vannucci, G., Barnwell, J. and Markus G. Practical Motion Capture in Everyday Surroundings. //Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH), 2007.//

===== W =====
  * Wanderley M. M. and Orio N. 2002. Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. //Computer Music Journal, 26:3, pp. 62-76//.
  * Wanderley M. M. , Viollet, J.-P. , Isart, F. and Rodet, X. 2000. On the choice of transducer technologies for specific musical functions. //Proceedings of the 2000 International Computer Music Conference (ICMC-00), Berlin, Germany, pp. 244–247//.
  * Webster, J. (ed.) 1989. //The Measurement, Instrumentation and Sensors Handbook//. CRC Press.
  * Wilson, J. S. 2005. //Sensor Technology Handbook//. Newnes (Elsevier).

===== X =====

===== Y =====
  * Yerkes, K, G. Shear, and M. Wright. Disky: a DIY Rotational Interface with Inherent Dynamics.// Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).//

===== Z =====

===== See Also =====

  * [[ISIDM: Sensors and actuators: Introductory References]]
  * [[ISIDM: Sensors and actuators: Internet directory]] (updated in November 2011)