======Software Tools: Bibliography======
Previous page: [[ISIDM: Software Tools: Introductory References]]

=====A=====

   * Amatriain, X. 2007. "CLAM: A Framework for Audio and Music Application Development." Software, IEEE, 24(1): 82−85.

   * Anderson, T. 1999. "Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians." //Proceedings of the 25th EUROMICRO Conference//. Milan, Italy. vol 2. pp. 20−27.

  * Assayag, G., and A. Gerzso. 2009. New Computational Paradigms for Computer Music. Sampzon: Delatour.

=====B=====
  * Baalman, M. A., H. C. Smoak, C. L. Salter, J. Malloch, and M. Wanderley. 2009. “Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2009).// Pittsburg, PA, USA.

  * Baalman, M. A., V. d Belleval, C. L. Salter, J. Malloch, J. Thibodeau, and M. Wanderley. 2010. “Sense/Stage- Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments.” //Proceedings of Linux Audio Conference (LAC 2010).// Utrect, The Netherlands, pp. 242-249.

   * Barbosa, Á. J. Cardoso, and G. Geiger. 2005. "Network Latency Adaptive Tempo in the Public Sound Objects System." //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005)//. Vancouver, British Columbia: University of British Columbia. pp. 184−187.

  * Barrass, S. 1995. “Personify: A Toolkit for Perceptually Meaningful Sonification.” //Proceedings of the Australian Conference on Computer Music (ACCM-95)//. Melbourne - University of Melbourne: Australasian Computer Music Association.

  * Beck, S., C. Branton, S. Maddineni, B. Ullmer, and S. Jha. 2011. “Tangible Performance Management of Grid-based Laptop Orchestras.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 207-210.

  * Bergsland, A. 2011. “The Six Fantasies Machine: an instrument modelling phrases from Paul Lansky’s Six Fantasies.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 523–526.

  * Beyer, G., and M. Meier. 2011. “Music Interfaces for Novice Users: Composing Music on a Public Display with Hand Gestures.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 507–510

  * Bevilacqua, F., Müller R., and Schnell N. 2005. “MnM: a Max/MSP Mapping Toolbox.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005)//. Vancouver, British Columbia: University of British Columbia. pp. 85–88.

  * Boulanger, R. 2004. The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming. Cambridge, MA, USA: MIT Press.

  * Boulanger, R. C., and V. Lazzarini. 2011. The Audio Programming Book. Cambridge, Mass: MIT Press.

  * Bresson, J., Agon, C. and M. Schumacher. 2010. Représentation des données de contrôle pour la spatialisation dans OpenMusic. Actes des Journées d'Informatique Musicale, Rennes, France, 2010.


  * Bryan, N. J., J. Herrera, J. Oh, and G. Wang. 2010. “MoMu: A Mobile Music Toolkit.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010).// Sydney, Australia, pp. 174–177.

  * Bullock, J., D. Beattie, and J. Turner. 2011. “Integra Live: a new graphical user interface for live electronic music.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 387–392.

  * Burt, W. 2010. “Packages for ArtWonk: New Mathematical Tools for Composers.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010).// Sydney, Australia, pp. 493–496.



=====C=====
  * Camurri, A., B. Mazzarino, and G. Volpe. 2004. “Analysis of Expressive Gesture: The Eyesweb Expressive Gesture Processing Library.” //Gesture-based Communication in Human- Computer Interaction, LNAI 2915.// Springer Verlag, pp. 460-467.

  * Chabot, X. 1990. “Gesture Interfaces and a Software Toolkit for Performance with Electronics.” //Computer Music Journal,// 14(2): 15–27.

  * Chun, S., A. Hawryshkewich, K. Jung, and P. Pasquier. 2010. “Freepad: A Custom Paper-based MIDI Interface.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010).// Sydney, Australia, pp. 31-36.

  * Cook, P. R. 2002. Real Sound Synthesis for Interactive Applications. Natick, Mass: A K Peters.

  * Crevoisier, A., and C. Picard-Limpens. 2011. “Mapping Objects with the Surface Editor.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 236-239.

=====D=====

  * Dchelle, F., R. Borghesi, M. D. Cecco, E. Maggi, B. Rovan, and N. Schnell. 1999. “jMax: An Environment for Real-Time Musical Applications.” //Computer Music Journal,// 23(3): 50–58.

=====E=====

=====F=====
  * Fyfe, L., A. Tindale, and S. Carpendale. 2011. “JunctionBox: A Toolkit for Creating Multi-touch Sound Control Interfaces.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 276–279.

=====G=====
  * Gold, N., and R. Dannenberg. 2011. “A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 36–39.

=====H=====
  * Hähnel, T., and A. Berndt. 2011. “Studying Interdependencies in Music Performance: An Interactive Tool.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 48–51.

  * Hunt, A., and R. Kirk. 2003. “MidiGrid: past, present and future.” //Proceedings of the 2003 conference on New Interfaces for Musical Expression (NIME-2003)//. Montreal, Quebec: McGill University. pp. 135–139.

  * Huron, D. 2002. “Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons.” //Computer Music Journal,// 26(2): 11–26.

=====I=====

=====J=====

  * Kaltenbrunner, M., and R. Bencina. 2007. “reacTIVision: a computer-vision framework for table-based tangible interaction.” //Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07).// New York, NY, USA: ACM. pp. 69–74.

=====K=====
  * Kobayashi, S., T. Endo, K. Harada, and S. Oishi. 2006. “GAINER: a Reconfigurable I/O Module and Software Libraries for Education.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2006)//. Paris, France: IRCAM - Centre Pompidou. pp. 346–351.

=====L=====

  * Li, T., M. Ogihara, and G. Tzanetakis. 2012. Music Data Mining. Boca Raton: CRC Press.

  * Liang, D., G. Xia, and R. Dannenberg. 2011. “A Framework for Coordination and Synchronization of Media.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 167–172.

  * Luhtala, M., T. Kymäläinen, and J. Plomp. 2011. “Designing a Music Performance Space for Persons with Intellectual Learning Disabilities.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 429–432.

=====M=====

  * Magnusson, T. 2005. “ixi software: Open Controllers for Open Source Audio Software.” //Proceedings of the International Computer Music Conference (ICMC 2005).// Pompeu Fabra University, Barcelona.

  * Magnusson, T. 2005. “ixi software: The Interface as Instrument.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005).// University of British Columbia, Vancouver. pp. 212-215.

  * Magnusson, T. 2011. “ixi lang: A SuperCollider Parasite for Live Coding.” //Proceedings of the International Computer Music Conference (ICMC 2011).// Huddersfield University, Huddersfield, UK, pp. 198-200.


  * Malloch, J., Sinclair, S., and M. M. Wanderley. 2007. "From controller to sound: Tools for collaborative development of digital musical instruments." //Proceedings of the International Computer Music Conference (ICMC 2007).// Copenhagen, Denmark, pp. 65-72.

  * Malloch, J., Sinclair, S., and M. M. Wanderley. 2008. A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments. //Proceedings of the Computer Music Modeling and Retrieval Conference (CMMR 2008), LNCS 4969.//  Berlin Heidelberg: Springer-Verlag, pp. 401-425.

  * Manning, P. D. 1999. “The evolution of interactive graphical control interfaces for music applications.” Organised Sound, 4(1): 45–59.

  * Mills, III, J. A., D. D. Fede, and N. Brix. 2010. “Music Programming in Minim.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010)//. Sydney, Australia, pp. 37-42.

  * Minnick, M. 1990. “A Graphical Editor for Building Unit Generator Patches.” //Proceedings of the International Computer Music Conference (ICMC 1990).// Glasgow, UK, pp. 253-255.



=====N=====

=====O=====
  * Overholt, D. 2006. “Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs.” //Proceedings of the International Computer Music Conference (ICMC-2006).// New Orleans, USA. pp. 6-11.

=====P=====

  * Porcaro, N., D. Jaffe, P. Scandalis, J. Smith, T. Stilson, and S. V. Duyne. 1998. “SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms.” //Computer Music Journal,// 22(2): 35–43.

  * Puckette, M. 1996. “Pure Data: Another Integrated Computer Music Environment.” Proceedings of the Second Intercollege Computer Music Concerts. Tachikawa, Japan, pp. 37–41.

=====Q=====

=====R=====

  * Rowe, R. 2001. Machine Musicianship. Cambridge, Mass: MIT Press.

=====S=====
  * Sànchez, A., J. J. Pantrigo, J. Virseda, and G. Pérez. 2007. “Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks.” //Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007).// Berlin, Heidelberg: Springer-Verlag. pp. 617–626.

  * Schiemer, G., and M. Havryliv. 2005. “Pocket Gamelan: a Pure Data interface for java phones.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005).// Vancouver, British Columbia: University of British Columbia. pp. 156--159

  * Schumacher, M. and J. Bresson. 2010. "Compositional Control of Periphonic Sound Spatialization." //Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics.// Paris, France.

  * Schumacher, M. and J. Bresson. 2010. "Spatial Sound Synthesis in Computer-Aided Composition." //Organised Sound,// 15(3): 271-289.

  * Schnell, N., F. Bevilacqua, N. Rasamimana, J. Blois, F. Guedy, and E. Flety. 2011. “Playing the ”MO”- Gestural Control and Re-Embodiment of Recorded Sound and Music.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, 2011.

  * Seldess, Z., and T. Yamada. 2011. “Tahakum: A Multi-Purpose Audio Control Framework.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 161–166.

  * Sinclair, S. and M. Wanderley. 2007. "Using PureData to Control a Haptically-enabled Virtual Environment." //PureData Convention 2007.// Montreal, Canada.

  * Sinclair, S. and M. Wanderley. 2007. "Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound." //Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE'07).// Grenoble, France.

  * Sioros, G., and C. Guedes. 2011. “Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).// Oslo, Norway, pp. 88–91.

  * Sorensen, A. 2005. “Impromptu: An Interactive Programming Environment for Composition and Performance.” //Proceedings of the Australasian Computer Music Conference.// Queensland University of Technology, Brisbane, Australia, pp. 149–153.

  * Steiner, H. 2005. “[hid] toolkit: A Unified Framework for Instrument Design.” //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME-2005).// University of British Columbia, Vancouver, Canada, pp. 140-143. 

  * Steiner, H.-C. 2006. “Towards a Catalog and Software Library of Mapping Methods.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2006).// Paris, France: IRCAM - Centre Pompidou, pp. 106--109

  * Steiner, H.-C., D. Merril, and O. Matthes. 2007. “A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max/MSP.” //Proceedings of the Conference on New Interfaces for Musical Expression (NIME-2007).// New York, New York: New York University, pp. 375--378. 

=====T=====

=====U=====

  * Umetani, N., J. Mitani, and T. Igarashi. 2010. “Designing Custom-made Metallophone with Concurrent Eigenanalysis.” //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011).//  Oslo, Norway, pp. 26-30.

=====V=====

=====W=====

  * Wang, G. and Cook. P. R. 2003. “ChucK: A Concurrent, On-the-fly Audio Programming Language.” Proceedings of the International Computer Music Conference (ICMC 2003). pp. 219–226.

  * Wilson, S., N. Collins, and D. Cottle. 2011. The SuperCollider Book. Cambridge, Mass: MIT Press.

=====X=====

=====Y=====

=====Z=====

  * Zadel, M., and G. Scavone. 2006. "Different Strokes: a Prototype Software System for Laptop Performance and Improvisation." //Proceedings of the Conference on New Interfaces for Musical Expression (NIME-2006).// Paris, France: IRCAM - Centre Pompidou, pp. 168—171. 

  * Zadel, M., and G. Scavone. 2006. "Laptop Performance: Techniques, Tools, and a New Interface Design." //Proceedings of the International Computer Music Conference (ICMC-2006)//. New Orleans, USA, pp. 643—648. 

  * Zadel, M. 2006. "A Software System for Laptop Performance and Improvisation." Master’s thesis, McGill University. 

  * Zicarelli, D. 1998 “An Extensible Real-Time Signal Processing Environment for Max”. //Proceedings of the International Computer Music Conference (ICMC-1998).// Ann Arbor, Michigan, USA.

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