Sensors & Actuators: Bibliography
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Sensors & Actuators: Bibliography

A

Allison, J.T. and Place, T.A. 2005. Teabox: A sensor data interface system. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME05), pp. 56-59.

B

Barenca, A., and G. Torre. The Manipuller: Strings Manipulation and Multi- Dimensional Force Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME09), pp. 232-235.
Berdahl, E., G. Niemeyer, and J. O. Smith III. Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME09), pp. 177-182.
Birnbaum, D. 2007. Musical vibrotactile feedback. Master thesis in Music Technology. McGill University.
Bongers, B. 1998. Tactual display of sound properties in electronic musical instruments. Displays, Volume 18, Issue 3, Pages 129-133.
Bongers, B. 2000. Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance. In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Ircam - Centre Pompidou.
Brum Medeiros, C. and Wanderley M.M. 2011. Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the Sound and Music Computing Conference (SMC-2011).
Burdea, G. 1996. Force and Touch Feedback for Virtual Reality. John Wiley and Sons.
Burdea, G. and P. Coiffet. 2003. Virtual Reality Technology. 2nd edition. John Wiley and Sons.

C

Carr, J. J. 1993. Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control. Upper Saddle River, USA: Prentice-Hall.
Carr, J. J. 1997. Electronic Circuit Guidebook. Volume 1: Sensors. Indianapolis, USA: Prompt Publications – Howard W. Sams & Company.
Chu, L. L. 1996. Haptic Feedback in Computer Music Performance. Proceedings of the 1996 International Computer Music Conference (ICMC-96).
Ciglar, M. An ultrasound based instrument generating audible and tactile sound. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), p. 19-22.

D

Dunn, P. F. 2010. Measurement and Data Analysis for Engineering and Science. CRC Press, Taylor & Francis Group.
Davidson, P.W. Haptic Perception. Journal of Pediatric Psychology, Volume 1, Issue 3, pages 21-25.

E

Gallin, E., and Sirguy, M. Eobody3: a ready-to-use pre-mapped & multi-protocol sensor interface. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11), pp. 437-440.

Essl, G., M Rohs, and S. Kratz. Use the Force (or something) - Pressure and Pressure- Like Input for Mobile Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), pp. 182-185.

Essl, G., M. Rohs, and S. Kratz. The Helio: A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10), pp. 459-462.

F

Fletcher, R. 1996. Force Transduction Materials for Human-Technology Interfaces. IBM Systems Journal, 35(3&4):630-638.
Fléty, E. 2000. 3D Gesture Acquisition Using Ultrasonic Sensors. In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: IRCAM – Centre Pompidou, pp. 193-207.
Fraden, J. 2004. Handbook of Modern Sensors. Physics, Design and Applications. 3rd Edition. London: Springer-Verlag.
Freed, A., and O. Isvan. Musical Applications of New, Multi-axis Guitar String Sensors. Proceedings of the 2000 International Computer Music Conference (ICMC-2000).
Freed, A. Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME08).

G

Garrett, P. H. 1994. Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering. Los Alamitos, USA: IEEE Press.
Giordano, M. and Wanderley, M.M. 2011. A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. Proceedings of the Sound and Music Computing Conference (SMC-2011).
Großhauser, T., Großekathofer, U., and Hermann, T. New Sensors and Pattern Recognition Techniques for String Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).
Grumwald, M. “Human Haptic Perception: Basics and Applications.” Birkhauser (Basel).
Gunther, E. , Davenport, G. and O'Modhrain, S. 2002. Cutaneous grooves: composing for the sense of touch. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06).

H

Hayes, L. Vibrotactile Feedback-Assisted Performance. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).
Hayward, V. and MacLean, K.E. 2007. Do it yourself haptics: Part I. IEEE Robotics & Automation Magazine.
Hayward, V. and MacLean, K.E. 2008. Do it yourself haptics: Part II [Tutorial]. IEEE Robotics & Automation Magazine.
Hurbain. P. 2004. Demystifying the Sharp IR Ranger, Acroname Articles Online,

I

Isaacs, D. 2003. Evaluating input devices for musical expression. Bachelor's thesis in Information Technology, University of Queensland.

J

Janocha H., 2004. Actuators: basics and applications. Springer

K

L

M

Marshall, M. T. and Wanderley, M. M. 2006. Evaluation of Sensors as Input Devices for Computer Music Interfaces. Chapter in Computer Music Modeling and Retrieval (Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad, eds.), Springer Berlin / Heidelberg, vol. 3902, pp. 130-139.
Marshall, M. T. and Wanderley, M. M. 2006. Vibrotactile Feedback In Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06), pp. 226-229.
Marshall, M. T. 2008. Physical Interface Design for Digital Musical Instruments. PhD thesis in Music Technology, McGill University.
Marshall, M. T. , Hartshorn, M. , Wanderley, M. M. and Levitin D. J. 2009. Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Vol. 38, No. 3, pp. 241–253.
Miranda E.R. and Wanderley M. M., 2006. New digital musical instruments: control and interaction beyond the keyboard. A-R Editions Inc.
Murphy, J., A. Kapur, and C. Burgin. Use the Force (or something) - Pressure and Pressure- Like Input for Mobile Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).

N

Nyce, D. S. 2004. Linear Position Sensors: Theory and Application. Hoboken, USA: John Wiley and Sons.

O

O'Sullivan, D. and Igoe T. 2004. Physical computing: sensing and controlling the physical world with computers. Thomson Course Technology, Boston.

P

Palacio-Quintin, C. 2003. The Hyper-Flute. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME06).
Pallàs-Areny, R. and J. G. Webster. 2001. Sensors and Signal Conditioning, 2nd Edition. New York, USA: Wiley Interscience.
Paradiso, J. and N. Gershenfeld. 1997. “Musical Applications of Electric Field Sensing”. Computer Music Journal, 21(2):69-89.
Paradiso, J. 1997. Electronic Music: New Ways to play. IEEE Spectrum, 34(12): 18-30.

Q

R

Roh, J., Y. Mann, A. Freed, and D. Wessel. Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).

S

Sawada, H., N. Onoe, and S. Hashimoto. 1996. Acceleration Sensor as an Input Device for Musical Environment. Proceedings of the 1996 International Computer Music Conference (ICMC96), Hong Kong, pp. 421-424.
Smallwood, S. Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).
Smith, R. L. 1993. Sensors. In R. C. Dorf (Ed.), The Electrical Engineering Handbook. London, UK: CRC Press.
Snell, J. 1983. Sensors for Playing Computer Music with Expression. Proceedings of the 1983 International Computer Music Conference (ICMC83), Rochester, USA, pp. 113-126.

T

Tanaka, A. Musical performance practice on sensor-based instruments. 2000. In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: IRCAM – Centre Pompidou.
Todoroff, T. Wireless Digital/Analog Sensors for Music and Dance Performances. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11).

U

V

Vecchi, F., C. Freschi, S. Micera, A. M. Sabatini, P. Dario, and R. Sacchetti. 2000. “Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control”. Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society, Aalborg, Danemark.
Vertegaal, R. , Ungvary, T. and Kieslinger, M. 1996. Towards a Musician's Cockpit: Transducers, Feedback and Musical Function. Proceedings of the 1996 International Computer Music Conference (ICMC-96).
Verplaetse, C. 1996. “Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools”. IBM Systems Journal, 35(3&4):639-650.
Vlasic, D., Adelsberger, R., Vannucci, G., Barnwell, J. and Markus G. Practical Motion Capture in Everyday Surroundings. Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH), 2007.

W

Wanderley M. M. and Orio N. 2002. Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, 26:3, pp. 62-76.
Wanderley M. M. , Viollet, J.-P. , Isart, F. and Rodet, X. 2000. On the choice of transducer technologies for speciﬁc musical functions. Proceedings of the 2000 International Computer Music Conference (ICMC-00), Berlin, Germany, pp. 244–247.
Webster, J. (ed.) 1989. The Measurement, Instrumentation and Sensors Handbook. CRC Press.
Wilson, J. S. 2005. Sensor Technology Handbook. Newnes (Elsevier).

X

Y

Yerkes, K, G. Shear, and M. Wright. Disky: a DIY Rotational Interface with Inherent Dynamics. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME10).

Table of Contents

Sensors & Actuators: Bibliography

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z

See Also