https://sensorwiki.org/ 2026-04-07T23:32:07+00:00 https://sensorwiki.org/ https://sensorwiki.org/lib/tpl/writr/images/favicon.ico text/html 2018-11-01T18:55:50+00:00 Anonymous (anonymous@undisclosed.example.com) https://sensorwiki.org/isidm/mapping/bibliography?rev=1541098550&do=diff Mapping:Bibliography A * Arfib, D., J. M. Couturier, L. Kessous, and V. Verfaille. 2002. “Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces.” Organised Sound, 7(2):127-144. B * Bencina, R. 2005. text/html 2018-11-01T18:55:51+00:00 Anonymous (anonymous@undisclosed.example.com) https://sensorwiki.org/isidm/mapping/internet_directory?rev=1541098551&do=diff Mapping:Internet Directory General discussion * Mapping Strategies, Gesture Research in Music - IRCAM - General discussion on Mapping and the use of Gestures in music * Virtual Musical Instruments: Accessing the Sound Synthesis Universe as a Performer. - Paper by Axel Mulder discussing Electronic Musical Instruments and their control * "There's more to interaction than meets the eye" - Bill Buxton's plea to computer designers in general to be inspired by musical instrument control. text/html 2018-11-01T18:55:50+00:00 Anonymous (anonymous@undisclosed.example.com) https://sensorwiki.org/isidm/mapping/introductory_references?rev=1541098550&do=diff Mapping: Introductory References Introduction Mapping is the connection between of a set of extracted musical/physical gestures and a set of control parameters of a sound synthesis algorithm (Verfaille). The word “mapping” has its roots in mathematics, where the term is used to denote a particular function. When creating a digital music instrument (DMI) a significant, if not the most important, task is that of determining the mapping. This does not necessarily mean that mappings must be com… text/html 2018-11-01T18:55:50+00:00 Anonymous (anonymous@undisclosed.example.com) https://sensorwiki.org/isidm/mapping/mapping_-_organised_sound_editorial_text?rev=1541098550&do=diff Mapping Strategies in real-time computer music Marcelo M. Wanderley Schulich School of Music - McGill University Montreal, July 2002. Traditionally the main research directions in gesturally controlled real-time computer music have been the design of novel