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+ | ====== Force Feedback: Bibliography ====== | ||
+ | |||
+ | ===== A ===== | ||
+ | |||
+ | * Adams, R.J., and B. Hannaford. 1999. “Stable haptic interaction with virtual environments, | ||
+ | |||
+ | * Adams, R.J., et al. 2000. “Stable haptic interaction using the Excalibur Force Display,” In // | ||
+ | |||
+ | * Adams, R.J., and B. Hannaford, “Excalibur, | ||
+ | |||
+ | * Agronin, M. L. 1987. ‘‘The design of a nine-string six degree-of-freedom force-feedback joystick for telemanipulation.’’ In // | ||
+ | |||
+ | * Akamatsu, M., and I.S. MacKenzie. 1996. " | ||
+ | |||
+ | * Akamatsu, M., and S. Sigeru. 1994. “A multi-modal mouse with tactile and force feedback.” // | ||
+ | |||
+ | * Akamatsu, M., et al. 1994. “Multimodal mouse: A mouse-type device with tactile and force display.” In // | ||
+ | |||
+ | * Allin, S., et al. 2002. “Measuring Just Noticeable Differences for
Haptic Force Feedback: Implications for Rehabilitaion”, | ||
+ | |||
+ | * Anderson, T., et al. 1999. “FBG: A graphical and haptic user interface for creating graphical, haptic user interfaces.” In // | ||
+ | |||
+ | * Anderson, T., and N. Brown. 2001. “The activepolygon polygonal algorithm for haptic force generation.” In // Proceedings of the Sixth PHANToM Users Group
Workshop.// | ||
+ | |||
+ | * Anderson, C., 1992. “The Design of a Compact Actuator System for a Robotic Wrist / Hand.” //MS Thesis, MIT Dept of Mechanical Engineering// | ||
+ | |||
+ | * Åström, K.J., and R. M. Murray. 2008. “Feedback Systems: An Introduction for Scientists and Engineers.” //Princeton University Press.// | ||
+ | |||
+ | ===== B ===== | ||
+ | |||
+ | * Baheti, A.R., et al. 2010. “Fiber-optic intubation simulator with force feedback.” In // | ||
+ | |||
+ | * Balniuk, R., and I.F. Costa. 2000. “LEM – An Approach for Physically Based Soft Tissue Simulation Suitable for Haptic Interaction” In // | ||
+ | |||
+ | * Barbagli. F., et al. 2003. “Multi-Contact Haptic Interaction with Deformable Objects: a Multi-rate Approach.” //chapter in Robotics Research XI - STAR (Springer Tracts on Advanced Robotics).// | ||
+ | |||
+ | * Beamish, T., et al. 2004.‘‘Manipulating music: Multimodal interaction for djs,’’ In // | ||
+ | |||
+ | * Bejczy, A.K., and J.K. Salisbury. 1983. “Controlling Remote Manipulators Through Kinesthetic Coupling.” //ASME Computers in Mechanical Engineering.// | ||
+ | |||
+ | * Berdahl, E., 2009. " | ||
+ | |||
+ | * Bicchi. A., et al. 1990. “Contact Sensing from Force Measurements, | ||
+ | |||
+ | * Boeck, J.D., et al. 2001. “Expanding the Haptic Experience by Using the PHANToM Device to Drive a Camera Metaphor.” In// Proceedings of the sixth PHANToM Users Group Workshop.// Aspen, CO, USA. | ||
+ | |||
+ | * Boeck, J.D., et al. 2002. “Assessing the increase in haptic load when using a dual PHANToM setup.” In// Proceedings of the seventh {PHANToM} Users Group Workshop.// Santa Fe, NM, USA. | ||
+ | |||
+ | * Bongers, B. 1994. "The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments." | ||
+ | |||
+ | * Burdea, G., and T.H. Speeter. 1989. “Portable dexterous force feedback master for robot telemanipulation, | ||
+ | |||
+ | * Burdea, G. 1996. "Force and Touch Feedback for Virtual Reality" | ||
+ | |||
+ | * Burdea, G., et al. 1992. “A portable dextrous master with force feedback, | ||
+ | |||
+ | * Buttolo, P., and B. Hannaford. 1995. ‘‘Pen-based force display for precision manipulation in virtual environments.’’ In // | ||
+ | |||
+ | * Barbagli, F., Prattichizzo, | ||
+ | |||
+ | |||
+ | * Unordered List Item | ||
+ | Barbagli, F. and Salisbury, K. 2003. “The Effect of Sensor/ | ||
+ | |||
+ | |||
+ | |||
+ | ===== C ===== | ||
+ | * Chang, A. et al. 2005. “Audio-haptic feedback in mobile phones,” in CHI ’05 extended abstracts on human factors in computing systems, (Portland, OR, USA), pp. 1264–1267. | ||
+ | |||
+ | * Chafe, C. 1993. “Tactile audio feedback” in Proceedings of the International Computer Music Conference, (Tokyo, Japan), pp. 76-79. | ||
+ | |||
+ | * Chang, A. et al. 2002. “ComTouch: | ||
+ | |||
+ | * Choi, S. 2003. " | ||
+ | |||
+ | * Cadoz, C., et al. 1984. “Responsive input devices and sound synthesis by simulation of instrumental mechanisms: The CORDIS system.” //Computer Music Journal.// 8(3):60-73. | ||
+ | |||
+ | * Cadoz, C., et al. 2003. " | ||
+ | |||
+ | * Cadoz, C., et al. 1990. “Modular Feedback Keyboard.” In // | ||
+ | |||
+ | * Calder B.E. 1983. “Design of a force feedback touch inducing actuator for teleoperator robot control.” //B.S. Thesis, Departments of Mechanical and Electrical Engineering.// | ||
+ | |||
+ | * Camarillo, D.B., et al. 2004. ‘‘Robotic technology in surgery: Past, present, and future, | ||
+ | |||
+ | * Carlson, C., et al. 2011. “The Sound Flinger: A Haptic Spatializer.” In // | ||
+ | |||
+ | * Castagne, N. et al. 2004. “Dynamics as a common criterion to enhance the sense
Computer Music: a Paradigm Shift” In // Proceedings of Eurohaptics.// | ||
+ | |||
+ | * Chu, L. 2003. " | ||
+ | |||
+ | * Chu, L. 2002. “Haptic design for digital audio,” in Proceedings of the 2002 IEEE Conference on Multimedia and Expo, vol. 2, (Lausanne, Switzerland), | ||
+ | |||
+ | * Chu, L. 1996. “Haptic feedback in computer music performance.” In // | ||
+ | |||
+ | * Colgate, J.E., et al. 1993. “Implementation of Stiff
Virtual Walls in Force-Reflecting Interfaces, | ||
+ | |||
+ | * Cotin, S., et al. 2000. “A hybrid elastic model allowing real-time cutting, deformations and force-feedback for surgery training and simulation.” //The Visual Computer//. 16(8): | ||
+ | |||
+ | ===== D ===== | ||
+ | |||
+ | * Dang, T., et al. 2001. “Development and Evaluation of an Epidural Injection Simulator with Force Feedback for Medical Training” //Medicine Meets Virtual Reality (in press). // | ||
+ | |||
+ | ===== E ===== | ||
+ | |||
+ | * Edwards, J., and G. Luecke. 1996, “Physically based models for use in a force feedback virtual
environment”, | ||
+ | |||
+ | |||
+ | * Engel, F. L., et al. 1994. “Improved efficiency through I- and E-feedback: A trackball with contextual force feedback.” // | ||
+ | |||
+ | ===== F ===== | ||
+ | |||
+ | * Flasar, J. 2001. “Interaction Techniques for Object Se- lection/ | ||
+ | |||
+ | * Florens, J.-L., and C. Henry. 2001. "Bowed String Synthesis with Force Feedback Gesture Interaction." | ||
+ | |||
+ | * Florens, J.L. et al. “ERGOS: Multi- degrees of Freedom and Versatile Force-Feedback Panoply.” In // | ||
+ | |||
+ | * Florens,. J.L. 2002. “Real time Bowed String Synthesis with Force Feedback Gesture.” //Invited paper, Forum Acousticum// | ||
+ | |||
+ | * Floyd, J. 1999. “Haptic Interaction with Three-Dimensional Bitmapped Virtual Environments.” In // Proceedings of the Second PHANToM Users Group
Workshop.// | ||
+ | |||
+ | ===== G ===== | ||
+ | |||
+ | * Gabriel, R., et al. 2008. “Actuated Sliders For Musical Performance and Composition.” In // | ||
+ | |||
+ | * Gillespie, R. B., and M. R. Cutkosky. 1996. “Stable User-Specific Haptic Rendering of the Virtual Wall.” In // | ||
+ | |||
+ | * Gomez, D. 1997. “A dextrous hand master with force feedback for virtual reality,” //Ph.D. dissertation.// | ||
+ | |||
+ | * Grange, S., et al. 2001. “Overview of the Delta Haptic Device.” In // Preceedings of the Eurohaptics Conference.// | ||
+ | |||
+ | * Green, D. F., and J.K. Salisbury. 1997. “Texture Sensing and Simulation Using the PHANToM:
Towards Remote Sensing of Soil Properties.” In // Proceedings of the Second PHANToM Users Group
Workshop.//, | ||
+ | |||
+ | ===== H ===== | ||
+ | * Hannaford, B., and Z. Szakaly. 1989. “Force feedback cursor control.” //NASA Tech. Briefs.// 13(11): 21. | ||
+ | |||
+ | * Harris, N. 2010. " | ||
+ | |||
+ | * Hashtrudi-Zaad K., and S.E. Salcudean. 2002. “Transparency in time-delayed systems and the effect of local force feedback for transparent teleoperation.” In //IEEE Transactions on Robotics and Automation.// | ||
+ | |||
+ | * Hayward, V., and O.R. Astley. 1996. “Performance Measures for Haptic Interfaces.” In //Robotics Research: The 7th International Symposium.// | ||
+ | |||
+ | * Hayward, V., and K.E. MacLean.2007. “Do it yourself haptics, Part-I.” //IEEE Robot. Autom. Mag.// 14(4): | ||
+ | |||
+ | * Hayward, V., and K.E. MacLean.2008. “Do it yourself haptics, Part-II.” //IEEE Robot. Autom. Mag.// 15(1): | ||
+ | |||
+ | * Hayward, V., et al. 1994. “Design and multi-objective optimization of a linkage for a haptic interface.” In // Advances in Robot Kinematics,// | ||
+ | |||
+ | * Hayward, V., et al. 2004. “Haptic interfaces and devices.” //Sensor Review.// 24(1): | ||
+ | |||
+ | * Hayward, V. et al. 1998. “Freedom-7: | ||
+ | |||
+ | * Howard, D. M., S. Rimell, and A. D. Hunt. 2003. "Force Feedback Gesture Controlled Physical Modeling Synthesis.", | ||
+ | |||
+ | * Howard, D.M., and S.M. Rimell. 2004. ‘‘Real-time gesture-controlled physical modelling music synthesis with tactile feedback, | ||
+ | |||
+ | * Howard, D.M., and S.M. Rimell, 2003. “Cymatic: A Tactile Controlled Physical Modelling Instrument.” In // | ||
+ | |||
+ | * Hutchins, M., and C. Gunn. 1999. “A Haptic Constraints Class Library.” In // Proceedings of the Second PHANToM Users Group
Workshop.//, | ||
+ | |||
+ | * Ho, C., et al. 2006. “Isotropy and Visual Modulation of Haptic Force Direction Discrimination on the Human Finger,” Proceedings of// EuroHaptics// | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | | ||
+ | |||
+ | ===== I ===== | ||
+ | |||
+ | * Iwata, H. 1992. “Artificial reality with force feedback: Development of desktop virtual space with compact master manipulator.” //AGM Computer Graphics.// 24: 165–170. | ||
+ | |||
+ | ===== J ===== | ||
+ | |||
+ | * Jenaro, J., et al. 2007. “One-Dimensional Force Feedback Slider: Digital Platform.” In // | ||
+ | |||
+ | * Jun, C., R.M. Taylor. 1996. " | ||
+ | |||
+ | * Johansson, A., and J. Linde. 1998. “Using Simple Force Feedback Mechanisms to Visualize Structures by Haptics.” In // | ||
+ | |||
+ | * Jorda, S. 2001. “New musical interfaces and new music-making paradigms. “In //NIME01.// Seattle, WA. | ||
+ | |||
+ | ===== K ===== | ||
+ | |||
+ | * Kelley, A. J., and S. E. Salcudean. 1994. “On the development of a force-feedback mouse and its integration into a graphical user interface.” In // | ||
+ | |||
+ | * Kitagawa, M. et al. 2002. “Analysis of suture manipulation forces for teleoperation with force feedback.” In // | ||
+ | |||
+ | * Kretz, A., et al. 2005. “M. Force Feedback Slider: An interactive device for learning dynamic system behavior. “ In // | ||
+ | |||
+ | * Kretz, A., et al. 2005. “Architecture of force feedback slider.” // ETH E-Collection// | ||
+ | |||
+ | ===== L ===== | ||
+ | * Laycock, S., and A. Day. 2003. “Recent developments and applications of haptic devices,” //Computer Graphics Forum.// 22(2): 117– 132. | ||
+ | |||
+ | * Lim, Y-A. S., et al. 2007. “A Wearable 3-DOF Wire-driven Force Feedback Device.” In // | ||
+ | |||
+ | * Lippit, T. M. 2006. “Turntable music in the digital era: designing alternative tools for new turntable expression.” In // | ||
+ | |||
+ | * Lécuyer, A., et al. 200. “Pseudo- haptic feedback: Can isometric input devices simulate force feedback? | ||
+ | |||
+ | * Levin, M.D., et al. 2000. “Control knob with multiple degrees of freedom and force feedback.” //US Patent 6154201// | ||
+ | |||
+ | * Luecke, G. R., et al. 1996. “An exoskeleton manipulator for application of electromagnetic virtual forces.” In // | ||
+ | | ||
+ | | ||
+ | |||
+ | ===== M ===== | ||
+ | |||
+ | * Mark, W., et al. 1996. “Adding Force Feedback to
Graphics Systems: Issues and Solutions.” | ||
+ | |||
+ | * Massie, T.H., and J. K. Salisbury. 1994. ‘‘The PHANToM haptic interface: A device for probing virtual objects.’’ In // | ||
+ | |||
+ | * Massie, T. H. 1993. “Design of a Three Degree of Freedom Force-Reflecting Haptic Interface.” //SB thesis, MIT EECS Department.// | ||
+ | |||
+ | * Massie, T. H. 1996. “Initial Haptic Explorations with the Phantom: Virtual Touch Through Point Interaction, | ||
+ | |||
+ | * Massimino, M.J., and T.B. Sheridan. 1993. “Sensory substitution for force feedback in teleoperation.” // | ||
+ | |||
+ | * Massimino, MJ. 1995. “Improved force perception through sensory substitution” //Control Engineering Practice.// 3(2): | ||
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+ | * Mason, M.T., and J.K. Salisbury. 1985. Robot Hands and the Mechanics of Manipulation.” //M.I.T. Press,// Cambridge, MA. | ||
+ | |||
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+ | * Mazzella, F., et al. 2002. ‘‘The forcegrid: A buffer structure for haptic interaction with virtual elastic objects.’’ In // | ||
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+ | * McDougal, J. 1997. “Applicationsofadvanced materials to robotic design: The freedom-7 haptic hand controller.” In // | ||
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+ | * McNeely, W., et al. 1999. “Six degree-of-freedom haptic rendering using voxel sampling.” In // | ||
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+ | * Miller, T. 1998. “Implementation issues in adding force feedback to the X desktop.” In // | ||
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+ | * Millman, P. A., et al. 1993. “Design of a high-performance haptic interface to virtual environments.” In // | ||
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+ | * Minsky, M. D. R. 1995. " | ||
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+ | |||
+ | * Mulder, A. 1994 “Virtual Musical Instruments: | ||
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+ | * Morrell, J. and Salisbury, K. 1995. “Parallel Coupled Actuators for High Performance Force Control: A Micro-Macro Concept,” Proc. of //IROS-95, // | ||
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+ | * Morris, D. et al. 2002. “Force-feedback in Craniofacial Surgery Simulation, | ||
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+ | ===== N ===== | ||
+ | * Nichols, C. 2002. “The vBow: Development of a virtual violin Bow haptic human-computer interface, | ||
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+ | * Nichols, C. 2003. “The vbow: an expressive musical controller haptic human-computer interface.” //PhD thesis, Stanford University.// | ||
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+ | ===== O ===== | ||
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+ | * Oboe, R., 2006. “A Multi-Instrument, | ||
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+ | * Okamura, A. M., et al. 1998. “Vibration feedback models for virtual environments, | ||
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+ | ===== P ===== | ||
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+ | ===== Q ===== | ||
+ | ===== R ===== | ||
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+ | ===== S ===== | ||
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+ | ===== T ===== | ||
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+ | ===== W ===== | ||
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+ | ===== Y ===== | ||
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