Table of Contents

Software Tools: Bibliography
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z

Software Tools: Bibliography

Previous page: Introductory References

A

Amatriain, X. 2007. “CLAM: A Framework for Audio and Music Application Development.” Software, IEEE, 24(1): 82−85.

Anderson, T. 1999. “Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians.” Proceedings of the 25th EUROMICRO Conference. Milan, Italy. vol 2. pp. 20−27.

Assayag, G., and A. Gerzso. 2009. New Computational Paradigms for Computer Music. Sampzon: Delatour.

B

Baalman, M. A., H. C. Smoak, C. L. Salter, J. Malloch, and M. Wanderley. 2009. “Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2009). Pittsburg, PA, USA.

Baalman, M. A., V. d Belleval, C. L. Salter, J. Malloch, J. Thibodeau, and M. Wanderley. 2010. “Sense/Stage- Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments.” Proceedings of Linux Audio Conference (LAC 2010). Utrect, The Netherlands, pp. 242-249.

Barbosa, Á. J. Cardoso, and G. Geiger. 2005. “Network Latency Adaptive Tempo in the Public Sound Objects System.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005). Vancouver, British Columbia: University of British Columbia. pp. 184−187.

Barrass, S. 1995. “Personify: A Toolkit for Perceptually Meaningful Sonification.” Proceedings of the Australian Conference on Computer Music (ACCM-95). Melbourne - University of Melbourne: Australasian Computer Music Association.

Beck, S., C. Branton, S. Maddineni, B. Ullmer, and S. Jha. 2011. “Tangible Performance Management of Grid-based Laptop Orchestras.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 207-210.

Bergsland, A. 2011. “The Six Fantasies Machine: an instrument modelling phrases from Paul Lansky’s Six Fantasies.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 523–526.

Beyer, G., and M. Meier. 2011. “Music Interfaces for Novice Users: Composing Music on a Public Display with Hand Gestures.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 507–510

Bevilacqua, F., Müller R., and Schnell N. 2005. “MnM: a Max/MSP Mapping Toolbox.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005). Vancouver, British Columbia: University of British Columbia. pp. 85–88.

Boulanger, R. 2004. The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming. Cambridge, MA, USA: MIT Press.

Boulanger, R. C., and V. Lazzarini. 2011. The Audio Programming Book. Cambridge, Mass: MIT Press.

Bresson, J., Agon, C. and M. Schumacher. 2010. Représentation des données de contrôle pour la spatialisation dans OpenMusic. Actes des Journées d'Informatique Musicale, Rennes, France, 2010.

Bryan, N. J., J. Herrera, J. Oh, and G. Wang. 2010. “MoMu: A Mobile Music Toolkit.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010). Sydney, Australia, pp. 174–177.

Bullock, J., D. Beattie, and J. Turner. 2011. “Integra Live: a new graphical user interface for live electronic music.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 387–392.

Burt, W. 2010. “Packages for ArtWonk: New Mathematical Tools for Composers.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010). Sydney, Australia, pp. 493–496.

C

Camurri, A., B. Mazzarino, and G. Volpe. 2004. “Analysis of Expressive Gesture: The Eyesweb Expressive Gesture Processing Library.” Gesture-based Communication in Human- Computer Interaction, LNAI 2915. Springer Verlag, pp. 460-467.

Chabot, X. 1990. “Gesture Interfaces and a Software Toolkit for Performance with Electronics.” Computer Music Journal, 14(2): 15–27.

Chun, S., A. Hawryshkewich, K. Jung, and P. Pasquier. 2010. “Freepad: A Custom Paper-based MIDI Interface.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010). Sydney, Australia, pp. 31-36.

Cook, P. R. 2002. Real Sound Synthesis for Interactive Applications. Natick, Mass: A K Peters.

Crevoisier, A., and C. Picard-Limpens. 2011. “Mapping Objects with the Surface Editor.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 236-239.

D

Dchelle, F., R. Borghesi, M. D. Cecco, E. Maggi, B. Rovan, and N. Schnell. 1999. “jMax: An Environment for Real-Time Musical Applications.” Computer Music Journal, 23(3): 50–58.

E

F

Fyfe, L., A. Tindale, and S. Carpendale. 2011. “JunctionBox: A Toolkit for Creating Multi-touch Sound Control Interfaces.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 276–279.

G

Gold, N., and R. Dannenberg. 2011. “A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 36–39.

H

Hähnel, T., and A. Berndt. 2011. “Studying Interdependencies in Music Performance: An Interactive Tool.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 48–51.

Hunt, A., and R. Kirk. 2003. “MidiGrid: past, present and future.” Proceedings of the 2003 conference on New Interfaces for Musical Expression (NIME-2003). Montreal, Quebec: McGill University. pp. 135–139.

Huron, D. 2002. “Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons.” Computer Music Journal, 26(2): 11–26.

I

J

Kaltenbrunner, M., and R. Bencina. 2007. “reacTIVision: a computer-vision framework for table-based tangible interaction.” Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07). New York, NY, USA: ACM. pp. 69–74.

K

Kobayashi, S., T. Endo, K. Harada, and S. Oishi. 2006. “GAINER: a Reconfigurable I/O Module and Software Libraries for Education.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2006). Paris, France: IRCAM - Centre Pompidou. pp. 346–351.

L

Li, T., M. Ogihara, and G. Tzanetakis. 2012. Music Data Mining. Boca Raton: CRC Press.

Liang, D., G. Xia, and R. Dannenberg. 2011. “A Framework for Coordination and Synchronization of Media.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 167–172.

Luhtala, M., T. Kymäläinen, and J. Plomp. 2011. “Designing a Music Performance Space for Persons with Intellectual Learning Disabilities.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 429–432.

M

Magnusson, T. 2005. “ixi software: Open Controllers for Open Source Audio Software.” Proceedings of the International Computer Music Conference (ICMC 2005). Pompeu Fabra University, Barcelona.

Magnusson, T. 2005. “ixi software: The Interface as Instrument.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005). University of British Columbia, Vancouver. pp. 212-215.

Magnusson, T. 2011. “ixi lang: A SuperCollider Parasite for Live Coding.” Proceedings of the International Computer Music Conference (ICMC 2011). Huddersfield University, Huddersfield, UK, pp. 198-200.

Malloch, J., Sinclair, S., and M. M. Wanderley. 2007. “From controller to sound: Tools for collaborative development of digital musical instruments.” Proceedings of the International Computer Music Conference (ICMC 2007). Copenhagen, Denmark, pp. 65-72.

Malloch, J., Sinclair, S., and M. M. Wanderley. 2008. A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments. Proceedings of the Computer Music Modeling and Retrieval Conference (CMMR 2008), LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401-425.

Manning, P. D. 1999. “The evolution of interactive graphical control interfaces for music applications.” Organised Sound, 4(1): 45–59.

Mills, III, J. A., D. D. Fede, and N. Brix. 2010. “Music Programming in Minim.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2010). Sydney, Australia, pp. 37-42.

Minnick, M. 1990. “A Graphical Editor for Building Unit Generator Patches.” Proceedings of the International Computer Music Conference (ICMC 1990). Glasgow, UK, pp. 253-255.

N

O

Overholt, D. 2006. “Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs.” Proceedings of the International Computer Music Conference (ICMC-2006). New Orleans, USA. pp. 6-11.

P

Porcaro, N., D. Jaffe, P. Scandalis, J. Smith, T. Stilson, and S. V. Duyne. 1998. “SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms.” Computer Music Journal, 22(2): 35–43.

Puckette, M. 1996. “Pure Data: Another Integrated Computer Music Environment.” Proceedings of the Second Intercollege Computer Music Concerts. Tachikawa, Japan, pp. 37–41.

Q

R

Rowe, R. 2001. Machine Musicianship. Cambridge, Mass: MIT Press.

S

Sànchez, A., J. J. Pantrigo, J. Virseda, and G. Pérez. 2007. “Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks.” Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007). Berlin, Heidelberg: Springer-Verlag. pp. 617–626.

Schiemer, G., and M. Havryliv. 2005. “Pocket Gamelan: a Pure Data interface for java phones.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2005). Vancouver, British Columbia: University of British Columbia. pp. 156–159

Schumacher, M. and J. Bresson. 2010. “Compositional Control of Periphonic Sound Spatialization.” Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics. Paris, France.

Schumacher, M. and J. Bresson. 2010. “Spatial Sound Synthesis in Computer-Aided Composition.” Organised Sound, 15(3): 271-289.

Schnell, N., F. Bevilacqua, N. Rasamimana, J. Blois, F. Guedy, and E. Flety. 2011. “Playing the ”MO”- Gestural Control and Re-Embodiment of Recorded Sound and Music.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, 2011.

Seldess, Z., and T. Yamada. 2011. “Tahakum: A Multi-Purpose Audio Control Framework.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 161–166.

Sinclair, S. and M. Wanderley. 2007. “Using PureData to Control a Haptically-enabled Virtual Environment.” PureData Convention 2007. Montreal, Canada.

Sinclair, S. and M. Wanderley. 2007. “Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound.” Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE'07). Grenoble, France.

Sioros, G., and C. Guedes. 2011. “Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 88–91.

Sorensen, A. 2005. “Impromptu: An Interactive Programming Environment for Composition and Performance.” Proceedings of the Australasian Computer Music Conference. Queensland University of Technology, Brisbane, Australia, pp. 149–153.

Steiner, H. 2005. “[hid] toolkit: A Unified Framework for Instrument Design.” Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME-2005). University of British Columbia, Vancouver, Canada, pp. 140-143.

Steiner, H.-C. 2006. “Towards a Catalog and Software Library of Mapping Methods.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2006). Paris, France: IRCAM - Centre Pompidou, pp. 106–109

Steiner, H.-C., D. Merril, and O. Matthes. 2007. “A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max/MSP.” Proceedings of the Conference on New Interfaces for Musical Expression (NIME-2007). New York, New York: New York University, pp. 375–378.

T

U

Umetani, N., J. Mitani, and T. Igarashi. 2010. “Designing Custom-made Metallophone with Concurrent Eigenanalysis.” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2011). Oslo, Norway, pp. 26-30.

V

W

Wang, G. and Cook. P. R. 2003. “ChucK: A Concurrent, On-the-fly Audio Programming Language.” Proceedings of the International Computer Music Conference (ICMC 2003). pp. 219–226.

Wilson, S., N. Collins, and D. Cottle. 2011. The SuperCollider Book. Cambridge, Mass: MIT Press.

X

Y

Z

Zadel, M., and G. Scavone. 2006. “Different Strokes: a Prototype Software System for Laptop Performance and Improvisation.” Proceedings of the Conference on New Interfaces for Musical Expression (NIME-2006). Paris, France: IRCAM - Centre Pompidou, pp. 168—171.

Zadel, M., and G. Scavone. 2006. “Laptop Performance: Techniques, Tools, and a New Interface Design.” Proceedings of the International Computer Music Conference (ICMC-2006). New Orleans, USA, pp. 643—648.

Zadel, M. 2006. “A Software System for Laptop Performance and Improvisation.” Master’s thesis, McGill University.

Zicarelli, D. 1998 “An Extensible Real-Time Signal Processing Environment for Max”. Proceedings of the International Computer Music Conference (ICMC-1998). Ann Arbor, Michigan, USA.

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