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actuators:erm [2022/03/18 01:20] – [External Links and References] jonathan.lane-smith | actuators:erm [2022/03/21 20:42] – [Projects Using ERMs] jonathan.lane-smith | ||
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There are three main types of ERM motors: Shafted motors, encapsulated cylindrical motors, and shaftless motors. | There are three main types of ERM motors: Shafted motors, encapsulated cylindrical motors, and shaftless motors. | ||
- | Shafted motors are ERM motors for which the eccentric mass is visible. When using shafted motors, it is important to ensure that nothing comes in contact with the eccentric mass while it is spinning. If this does occur, it could result in a large jerk instead of a smooth vibration, in addition to damaging whatever came in contact with the eccentric mass.. | + | Shafted motors are ERM motors for which the eccentric mass is visible. When using shafted motors, it is important to ensure that nothing comes in contact with the eccentric mass while it is spinning. If this does occur, it could result in a large jerk instead of a smooth vibration, in addition to possibly |
Encapsulated cylindrical motors are similar to shafted motors, but they cover the rotating shaft in order to prevent interference of outside objects with the eccentric mass. | Encapsulated cylindrical motors are similar to shafted motors, but they cover the rotating shaft in order to prevent interference of outside objects with the eccentric mass. | ||
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There have been many projects in music technology that have used ERM motors. Listed below are some notable examples. | There have been many projects in music technology that have used ERM motors. Listed below are some notable examples. | ||
- | * Joanne Armitage and Kia Ng from the University of Leeds created a haptic interface of 16 ERM motors presented as a grid array to augment the physical nature of live performance. ((Joanne Armitage and Kia Ng. Configuring a Haptic Interface for Music Performance. DOI: 10.14236/ | + | * Joanne Armitage and Kia Ng from the University of Leeds created a haptic interface of 16 ERM motors presented as a grid array to augment the physical nature of live performances. ((Joanne Armitage and Kia Ng. Configuring a Haptic Interface for Music Performance. DOI: 10.14236/ |
- | * Researchers | + | * Researchers |
* Emma Fried and members of the IDMIL lab at McGill University created a wearable tactile display consisting of ERM motors to be placed on a person' | * Emma Fried and members of the IDMIL lab at McGill University created a wearable tactile display consisting of ERM motors to be placed on a person' | ||
* Luca Turchet, Travis West and Marcelo Wanderley developed music haptic wearables consisting of two armbands, each with two ERM motors, in order to augment the experience of live musical performances for audience members. ((L. Turchet, T. West, and M. M. Wanderley, “Touching the audience: Musical haptic wearables for augmented and participatory live music performances, | * Luca Turchet, Travis West and Marcelo Wanderley developed music haptic wearables consisting of two armbands, each with two ERM motors, in order to augment the experience of live musical performances for audience members. ((L. Turchet, T. West, and M. M. Wanderley, “Touching the audience: Musical haptic wearables for augmented and participatory live music performances, |