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actuators:erm [2022/03/21 20:39] – [Types of ERMs] jonathan.lane-smithactuators:erm [2022/03/21 20:42] – [Projects Using ERMs] jonathan.lane-smith
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 There have been many projects in music technology that have used ERM motors. Listed below are some notable examples. There have been many projects in music technology that have used ERM motors. Listed below are some notable examples.
  
-  * Joanne Armitage and Kia Ng from the University of Leeds created a haptic interface of 16 ERM motors presented as a grid array to augment the physical nature of live performance. ((Joanne Armitage and Kia Ng. Configuring a Haptic Interface for Music Performance. DOI: 10.14236/ewic/eva2015.4)) +  * Joanne Armitage and Kia Ng from the University of Leeds created a haptic interface of 16 ERM motors presented as a grid array to augment the physical nature of live performances. ((Joanne Armitage and Kia Ng. Configuring a Haptic Interface for Music Performance. DOI: 10.14236/ewic/eva2015.4)) 
-  * Researchers fromMatralab, a group at Concordia University, worked on a project entitled :body:suit:score: in which a full-body suit was created to be worn by musicians. This suit had ERM motors embedded into the arms, vest, belt, and legs of the suit, so that musical information could be communicated to musicians as they play their instruments. ((A. Bachmayer, “The suit,” bodysuitscore, 2015. [Online]. Available: https://matralab.hexagram.ca/research/body-suit-score/the-suit/. [Accessed: 17-Mar-2022]. ))+  * Researchers from Matralab, a group at Concordia University, worked on a project entitled :body:suit:score: in which a full-body suit was created to be worn by musicians. This suit had ERM motors embedded into the arms, vest, belt, and legs of the suit, so that musical information could be communicated to musicians as they play their instruments. ((A. Bachmayer, “The suit,” bodysuitscore, 2015. [Online]. Available: https://matralab.hexagram.ca/research/body-suit-score/the-suit/. [Accessed: 17-Mar-2022]. ))
   * Emma Fried and members of the IDMIL lab at McGill University created a wearable tactile display consisting of ERM motors to be placed on a person's back. This tactile display acted as a tactile notification system to be used in the context of live-electronics musical performances. ((E. Frid, M. Giordano, M. M. Schumacher, en M. M. Wanderley, “Physical and perceptual characterization of a tactile display for a live-electronics notification system”, in Proceedings of the International Computer Music and Sound and Music Computing Joint Conference. McGill University, 2014.))   * Emma Fried and members of the IDMIL lab at McGill University created a wearable tactile display consisting of ERM motors to be placed on a person's back. This tactile display acted as a tactile notification system to be used in the context of live-electronics musical performances. ((E. Frid, M. Giordano, M. M. Schumacher, en M. M. Wanderley, “Physical and perceptual characterization of a tactile display for a live-electronics notification system”, in Proceedings of the International Computer Music and Sound and Music Computing Joint Conference. McGill University, 2014.))
   * Luca Turchet, Travis West and Marcelo Wanderley developed music haptic wearables consisting of two armbands, each with two ERM motors, in order to augment the experience of live musical performances for audience members. ((L. Turchet, T. West, and M. M. Wanderley, “Touching the audience: Musical haptic wearables for augmented and participatory live music performances,” Personal and Ubiquitous Computing, vol. 25, no. 4, pp. 749–769, 2020.))   * Luca Turchet, Travis West and Marcelo Wanderley developed music haptic wearables consisting of two armbands, each with two ERM motors, in order to augment the experience of live musical performances for audience members. ((L. Turchet, T. West, and M. M. Wanderley, “Touching the audience: Musical haptic wearables for augmented and participatory live music performances,” Personal and Ubiquitous Computing, vol. 25, no. 4, pp. 749–769, 2020.))