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— | isidm:talk [2018/11/01 18:55] (current) – created - external edit 127.0.0.1 | ||
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+ | ==== Suggestions | ||
+ | ** This section lists all the suggestions received from group members according to date of arrival. It can be used as a starting point for the discussion. ** | ||
+ | |||
+ | |||
+ | < | ||
+ | aesthetics | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * I would be delighted if you were willing to include a slightly stronger | ||
+ | presence of " | ||
+ | media/ | ||
+ | performance creation" | ||
+ | perhaps the issue of << | ||
+ | relating to.... designing and performing with interactive systems>> | ||
+ | could be opened up for discussion, since some of us working in | ||
+ | experimental media may think differently about the formulation of | ||
+ | principles. | ||
+ | venture and in the cross-communications we could achieve, which is most | ||
+ | valuable. Many of us in the performance arts work with musicians and | ||
+ | composers, not all of us develop our own software but we invent new | ||
+ | instruments of expression too. Yet we sometimes are involved in | ||
+ | different communities or address different audiences, and there is much | ||
+ | to be gained from cross-fertilization, | ||
+ | I also want to mention that there are efforts by some of us in the dance-technology area to create brainstorming meetings about connectivity and telematic performance/ | ||
+ | </ | ||
+ | |||
+ | |||
+ | < | ||
+ | * Web based interactive Java Applets using JSyn plugin for synthesis | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Computer Interactive Sound and Hypermedia Improvisation | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Combining video with sound | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Artistic applications for multimedia performances and installations. Specifically, | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * My own work is now focussed upon music generating software. The key issue is the distillation of the multitude of parameters which the software requires into a few meaningful and expressive controls suitable for a live performance. Also of importance is placing the control of the system somewhere between didactic one-one mapping and more obscure or less perceptible relationships. | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * I am attaching the reference list for my new book Machine Musicianship that will appear from the MIT Press later this year. I thought it might be useful for starting a list of resources for this group. | ||
+ | (see the links page) | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Intiate contact with dance community via dance-tech internet group. Set up a site for thematic " | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Control of realtime video | ||
+ | |||
+ | < | ||
+ | * I propose to initiate a discussion on " | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Bringing interaction into ' | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Motion tracking, motion capture, realtime DSP | ||
+ | |||
+ | Comments:
Working with different systems of motion tracking and motion capture, especially with dance-generated music, including video tracking software such as VNS and BigEye, and the Vicon motion capture system (with realtime capabilities). Affiliations with Cycling '74 (Max and MSP) and Vicon (Vicon 8RT). Interested primarily in exploring aesthetic considerations of using such systems for music performance, | ||
+ | |||
+ | < | ||
+ | * Look forward to this group! I would also like to see a (vague) connection to extra musical perception i.e. image, physical, and corporeal gesture. | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * Too many subareas for such a small field - most people will want to overlap several. | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * I am interested in bio-feedback, | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * I am an experimental composer from Argentina, I am Co-Director with the coreographe Eugenia Giudice of LA TUNDA. | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * A summary of current projects on the website. | ||
+ | </ | ||
+ | |||
+ | < | ||
+ | * I would be very happy to be able to join this working group. I'm working with sensor and max MSP nato for musical instruments, | ||
+ | </ |